Katee Sackhoff Quotes

We are able to create incredible set-pieces here in the US that TV shows often don't have the resources to create in the UK.

The production scale of 'Okja,' which I had never experienced before, was jaw-dropping. Not only the actors but also all the staff were experts in their fields.

There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff.

There are all kinds of directors I want to work with and all kinds of films that I want to do.

Ever since 'Star Wars,' there was a rash of how a movie was made. I remember that as a kid. I never really understood how movies were made until that movie, because it was such a technical accomplishment. Since then, you've seen more and more and more, for all different kinds of films, about what goes into the process.

I loved being behind the scenes and finding out how they make movies.

When you walk onto a Peter Jackson set, you can see straightaway that money isn't an issue.

A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.

I mean, I'm new but I've always been very interested in film making process and I've been lucky enough to work with film makers in my past that have been very encouraging to let me hang around. I get so emotionally vested - that the producer part of me was natural.

On 'Game of Thrones', the people that I've met, of the people behind the scenes, was not even a scratch of the vast crew that actually does work on that show.

I think the amount of production value that was put into 'Game of Thrones' was incredible, and it's unlike anything I've seen on any other production, including 'The Lord of the Rings.'

I want to do more work behind the camera.

The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.

What we don't realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache. You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that's not how Hollywood works.

Working on movies and TV is a blast, and ILM has the most talented people in the world. But on 'Mythbusters' I've been able to go places I would never have access to otherwise.

I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.

Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.

I've had the privilege to work with fantastic directors - Ram Gopal Varma, Mani Ratnam, Inder Kumar, to name a few.

Killing Eve' was kind of the road for me as an art person, where you have this opportunity to work with so many different writers, so many different directors, and so many actors at the same time.

Right after watching 'Kabul Express,' I wanted to work with Kabir sir. Moreover, earlier he was a documentary maker, and the respective genre has always fascinated me, and I still desire to work in one.

By 1949 I knew all the studio tricks.

I'd love to make a horror movie, that's definitely where I want to be one day.

I will work in films based on quality productions and significant characters.

The daily work on special effects is fairly mundane.

Arachnophobia' was one of the first films I did major effects for.