Soccer Mommy Quotes

I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

I have a pro tools rig that I carry in my backpack.

I record all the time.

I bought an audio technician mic and Pro Tools SE, the demo version and was recording in the basement.

My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.

When I write songs, it's just me and a cassette player - or at least it used to be before smartphones - to quickly record a basic idea.

I can record auditions from my office in my home.

I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.

Yes, we record practically everything on Pro Tools.

Nowadays you can record on your laptop with Pro Tools, which I do quite often.

I've got a studio at home, and I'm always recording.

I started recording in my sophomore year in high school. I recorded things on my cell phone in my basement.

I use Pro Tools version 9 LE at home and I take that on the road with me.

I do have a little setup at home. I use Pro Tools and a Neumann mic. Neumann's are my favorite.

I've got my own studio, so I sit in my studio writing and if I get a great take, that's the take.

I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

Pro Tools was invented to quicken the recording process.

I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.

Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.

Darrell is really good in the studio. I mean, he has a real working knowledge of how the process works, and what sounds good coming back over tape, and how the stuff works together.

It's a very organic process, and it has a specific order to it. I love to write, and once you've written, then you arrange. After the arrangement, you record it, and then you tour it.

I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.