Tacitus Quotes

I have a family and you know very well the time that that takes. That's good time. I have a couple hobbies. I'm a runner and play tennis. In the summer my family and I uproot ourselves and go live in Maine for the summer. We have a house on a very tiny island in Maine. Which is really my spiritual center. We've been going there for ten years, and it has no ferry service, no bridges, no telephone service. It's really isolated.

Now that I'm married and have two beautiful children, it really makes me appreciate... being alone.

I dwell in a lonely house I know That vanished many a summer ago.

I am alone again and I want to be so; alone with the pure sky and open sea.

I was up at Big Sur with Christopher Reeve and Christine Lahti, doing this woman in a big fat-suit - Mrs. Bassett in Tennessee Williams' Summer And Smoke - and my husband was in the show too, playing Lahti's fiancée. Every night he'd be proposing to beautiful Christine Lahti, and I'd barrel onstage in this fat-suit. I hated it! But I did it, because by then I knew that that was my casting.

As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.

Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn't. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.

Our [British] summers are often, though beautiful for verdure, so cold, that they are rather cold winters.

The stars are forth, the moon above the tops Of the snow-shining mountains--beautiful! I linger yet with nature, for the night Hath been to me a more familiar face Than that of man, and in her starry shade Of dim and solitary loveliness I learned the language of another world.

Paris, hours in the café, a certain spirit of rebellion, one side a bit too stubborn, the sea, the true, in Bretagne, the walking in Provence, the taste, the passion for literature, the libraries, the beautiful editions, remaking the world in a set of hours around a table and a bottle of wine. Talking without really saying nothing, just for the pleasure of talking. The museums, the theatres, the elegance, the delicacy, the heritage of the Illustration, a humanistic philosophy. The balance we got between a nordic rigor and a latin savoir-vivre, the insolence and the freedom.

One sees that dead, vacant look steal over the rarest, finest of women's faces . . . in the very midst, it may be, of their warmest summer's day; and then one can guess at the secret of intolerable solitude that lies hid beneath the delicate laces . . .

Women stand related to beautiful nature around us, and the enamoured youth mixes their form with moon and stars, with woods and waters, and the pomp of summer. They heal us of awkwardness by their words and looks. We observe their intellectual influence on the most serious student. They refine and clear his mind: teach him to put a pleasing method into what is dry and difficult.

Oh, how beautiful is the summer night, which is not night, but a sunless, yet unclouded, day, descending upon earth with dews and shadows and refreshing coolness! How beautiful the long mild twilight, which, like a silver clasp, unites today with yesterday!

He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding, or the deck of a tumbling ship -- it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out.

Do you know what the title was of the Pope, which ought to be used? Servant of the servants of God. It's a little different from the stars. Stars are beautiful to look at. I like to look at them in the summer when the sky is clear. But the Pope must be, must be the servant of the servants of God.

Spring is beautiful, and summer is perfect for vacations, but autumn brings a longing to get away from the unreal things of life, out into the forest at night with a campfire and the rustling leaves.

Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass. No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness. Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now.

Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves -- for they are a little vain, knowing themselves to be the most beautiful.

Let life be beautiful like summer flowers and death like autumn leaves.

Winter will never come for the likes of us. Should we die in battle, they will surely sing of us, and it’s always summer in the songs. In the songs all knights are gallant, all maids are beautiful, and the sun is always shining.

Nobody on the road. Nobody on the beach. I feel it in the air, the summer's out of reach.

What a contrast between the stern and desolate poetry of Ossian, and that of Chaucer, and even of Shakespeare and Milton, much more of Dryden, and Pope, and Gray! Our summer of English poetry, like the Greek and Latin before it, seems well advanced towards its fall, and laden with the fruit and foliage of the season, with bright autumnal tints, but soon the winter will scatter its myriad clustering and shading leaves, and leave only a few desolate and fibrous boughs to sustain the snow and rime, and creak in the blasts of age.

A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes, it was an interesting background. It posed the lad, made him more perfect as it were. Behind every exquisite thing that existed, there was something tragic.

It is almost impossible to translate verbally and well at the same time; for the Latin (a most severe and compendious language) often expresses that in one word which either the barbarity or the narrowness of modern tongues cannot supply in more. ...But since every language is so full of its own proprieties that what is beautiful in one is often barbarous, nay, sometimes nonsense, in another, it would be unreasonable to limit a translator to the narrow compass of his author's words; it is enough if he choose out some expression which does not vitiate the sense.

Now Autumn's fire burns slowly along the woods, And day by day the dead leaves fall and melt, And night by night the monitory blast Wails in the key-hole, telling how it pass'd O'er empty fields, or upland solitudes, Or grim wide wave; and now the power is felt Of melancholy, tenderer in its moods Than any joy indulgent Summer dealt.