Donald E. Westlake Quotes

I think if you are an outsider then you are an outsider always.

I feel like I have been portrayed as if I was standing outside Cipriani hoping someone picks me as their plus-one.

I think that America certainly has racism, I think that any industrialized country does. But when you see how many million fans Barack Obama has who are not black, it would lead one to the conclusion that millions of Americans are in fact not burdened by the albatross of racism.

I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett.

The character I play has all these revolutionary ideas. I think the classic thing is that majority people who are criticising it probably have never read the books, and need to. And I'm sure that the Catholic Church, which is being directed as you know, can handle it.

I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.

I think this book, Matthew Desmond's "Evicted: Poverty and Profit in the American City.", if you have a friend who is a public official, hand him or her this book. It's that important. And this book raises some serious questions about what kind of country do we want to be.

"The Diagnosis" had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes. I would do something and let it sit for three months... just brood about and decide I needed to slightly change something here or there. Or one character wasn't quite right. But I think everybody goes through this.

The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.

If all you leave in the library is books that you think speak to everyone, what are you going to have? You'd have nothing.

I think that having a black president in this country has been a seismic shift, in terms of what has been going on racially in America. I think that America is now engaging with how we have come to this point.

I do characters. I believe in that. I think people are interesting. Now, everybody that you meet in New York City thinks that their life is a movie.

I think the characters are supposed to be an open book, blank canvas.

I have found that the characters in my novels stay with me after a book has ended. I know them in some sense. I never map anything out. I just think until I am secure in the voice of one of them, and then let the character unfold.

I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.

Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plot—but not twice.

Nothing annoys people so much as not receiving invitations.

I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character.

I think Americans are good-hearted, open-minded people and race doesn't enter into this - at all.

Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.

The character can never be static from book to book. People might think you just come up with a new plot and stick this guy in. Well, he has to be as new as the plot every time.

In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.

I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.