Michael Buffer Quotes

It's very much like opera singers. They do the same thing. The first thing in the morning and the last thing at night, the thing they think about is their voice and how to take care of it.

The biggest thing is to just keep your voice in shape so that when the emotion hits, it's there to have the colors to paint those pictures with the lyrics as well as the sound.

You have to get to know your voice and its strengths and play on those. It took me quite a long time.

The better voice doesn't mean being a better singer.

You know, your speaking voice comes back, but your singing voice you use in a different way.

I just wanted to show people - maybe I'm wrong - that I can still really sing. I can sing better than I ever have before. My intonation is way better, my timing, my phrasing - there's a lot more expression; I feel it's a more lived-in, soulful voice.

Because everything about the voice interests me, I felt it would be fascinating to learn a completely different style of singing.

I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.

I thought everybody had falsetto. And since I wasn't a schooled singer who studied with anybody, I just thought anybody who had a voice could do anything they wanted with their voice.

I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.

Anything that I can do with my voice that's good, I'll try to do.

The greatest musical instrument given to a human being is the voice.

I don't think I'm a singer that likes to flex my vocals. I'll do some runs and a bunch of high notes, but that's it. I really pride myself and I really work on just trying to sing. Like emotions. Just using my voice, not doing anything extra.

You know, I like playing around with my voice and trying all different types of kooky voices.

I use my voice as an instrument.

The human voice is the most beautiful instrument of all, but it is the most difficult to play.

Your voice is like a very serious instrument that you have to tame if you want to be an amazing singer - Marvin Gaye or Michael Jackson.

I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.

I've studied voice from a few different people for years.

I want to be able to sing like Whitney Houston did.

For me, bel canto is medicine for the voice.

My voice is not good enough for me to sing a song.

As I am a lyrical singer, I really have to work hard. I'm still really training on a daily basis on my vocals. Because of the lyrical training, it never really ends.

I really love something that's strong vocally and a little more difficult to sing because it's fun.

The best vocalists I can think of are female.