Rachel Carson Quotes

To write a book such as Tiger Bone & Rhino Horn is a formidable undertaking. You must accumulate thousands of facts and spare no detail, no matter how terrible. It is always easier to write a piece of fluff and leave everybody smiling. But then, the horrors of poaching would continue unchallenged?like as tent caterpillars consuming an apple orchard, our species mindlessly consumes the others of the earth. At present, the most significant hope for our planet may be knowledge, and Richard Ellis has done a heroic job in providing a large measure of that.

My understanding has always been that if there is any indication that pesticides are harmful, that they would not be allowed to be used.

I always say your body is the temple of your spirit, why not decorate it? My kids say, no, no, your body is the temple of your spirit, keep it clean. I'm covered in tattoos and I get a tattoo every time I write a book. I get the tattoo from the book.

I could easily go through all my books and mark the ones that were original, mark the ones that were adapted or pre-published that I've found. I'm guessing though that probably 75% of them are personal events. I just love a personal story.

To the red country and part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth.

There's a great book by my friend Nate Garvis called Naked Civics that was very important in my development as someone with a social conscious and that has become, I guess, something of an activist.

There is no such thing as equality for some. Equality must be for all. That is what freedom is. That is what liberty is. No human being is born more or less important than any other. How can we allow ourselves to forget that? What simpler truth is there?

The most important part of a story is the ending. No one reads a book to get to the middle.

When I was twenty-one, a friend gave me a book called Diet for a New America by John Robbins, which exposed the brutal practices of American factory farms. That, coupled with a lecture from Leonardo DiCaprio (when he was nineteen and I was twenty-one) about how such animals are kept and processed, made me lose my desire for factory farm pork and beef right there.

Western civilization is a loaded gun pointed at the head of this planet.

Any book, which is at all important, should be reread immediately.

I actually didn't read the book [Fast Food Nation]. I wasn't aware of it. But when I read the script, I thought "Wow." It became a project that was just so exciting to be a part of. Maybe a few times in a career [you] get a chance for a role that really means something, and this was it.

Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.

The most important question for me when I begin working on a film is where to start. For a book, what makes you convinced there is a story that is worthwhile?

Coal is the single greatest threat to civilization and all life on our planet.

Sara Scherr and Jeff McNeely have given us a thoughtful, sensible book about a topic of great importance to the world. There is no food security, no poverty reduction, no environmental sustainability without transforming our agricultural practices. The book ?presents well documented cases of best practices from all over the world. It should be required reading for all concerned with agriculture, the environment, food security or just the future of our children.

I'm a more skilled writer now, but after 23 books it's harder to be fresh and that's really important to me. I don't want to write the same thing over and over again.

The point is, it didn’t really matter what the book was about. It was what it meant that was important.

I think books find their way to you when you need them. Whenever I feel like I'm not going to live to read all the books I want to read, I remind myself that the important ones find their way to me.

I'm glad that the fact that people are still getting poisoned by pesticide drift is gaining attention.

Soil is not usually lost in slabs or heaps of magnificent tonnage. It is lost a little at a time over millions of acres by the careless acts of millions of people. It cannot be saved by heroic feats of gigantic technology, but only by millions of small acts and restraints, conditioned by small fidelities, skills, and desires. Soil loss is ultimately a cultural problem; it will be corrected only by cultural solutions.

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.

Now that I've got kids, it's become really important for me on the health front to try to buy as much organic produce as possible.

I think for Lev [Grossman], C. S. Lewis was a huge inspiration from his childhood. I know that Brideshead Revisited is a book that he's incredibly found of and he took certain structural influences from that book that he brought into The Magicians.

A Who's Who of pesticides is therefore of concern to us all. If we are going to live so intimately with these chemicals eating and drinking them, taking them into the very marrow of our bones - we had better know something about their nature and their power.