Ellen Page Quotes

The deeper I went into culture, the more confused I got. So I needed something more real. I said, "Okay, from now on, my country will be cinema."

The real influence on my work was reality, that of my country and Latin America in general.

By remaining constrained in one's environment or country or family, one has little chance of being other than the original prescription. By leaving, one gains a perspective, a distance of both space and time, which is essential for writing about family or home, in any case.

I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.

I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.

In order to live in a different country, you have to love something there. You have to love something there. You have to love either the spirit of the laws or the economic opportunities, or the - well, history of the country, the language perhaps, literature.

When I went to Australia, I had this feeling, like, 'Wow, this is really a different country.' I think that feeling of genuine foreignness, that this is a very different culture, which is increasingly rare in our globalised world.

I doubt anyone else would have travelled as extensively as I have to meet the citizens of the country.

I find it really liberating to be in a place where I am a foreigner in every way. I've lived with this all my life - this divide, this bifurcation. And in Italy, I don't feel it. There's none of that tension, only the expectation I place on myself to speak the language well. I find it relaxing. Something drops away, and I observe.

Other people's traditions look charming and decorative and exotic. They're nice places to visit on holiday, but you wouldn't want to live with one.

I think music is a great way of helping people to get to know a country's culture.

I think you feel more liberated in a foreign country. You're more open. You understand less about the social constructs that exist in a certain place, so you take people more at face value, and you're also taken more at face value, which makes you more able to be yourself.

Even if Pearl S. Buck hadn't spent most of her life in China, she'd have every right to write about it.

The American writer has his hands full, trying to understand and then describe and then make credible much of American reality.

I always say the diversity, and culture is the one thing I love the most about the U.S. How you can travel across one borderline and you end up with this whole new set of people that I find super-interesting and great on tour.

I was very surprised when I first started spending time in America. The culture shock was something I wasn't prepared for. I had a lot of work to do to try to begin to understand this enormous and complex country that I thought would be an easy process.

I grew up in a household where we talked about race all the time, and that's sort of in me. So if I become the Anthony Bourdain of race and culture, then great!

The difficulty of being a Latin kid, a Latin man in this country [U.S].

The reality is that the people that we represent are no longer going to be second-class citizens in their own country.

Only it seems to me that once in your life before you die you ought to see a country where they don't talk in English and don't even want to.

When I was a kid in Boston, it was one of the most anti-Semitic cities in the country. If you were living in the ghetto as I was, the Jewish ghetto part of Roxbury, and you went out alone at night, you might be subject to having people attacking you for being a Christ killer.

Culture isn't all just about what can be tweaked and twitched in the simplest possible way. As people move around, they literally don't see what's around them, because they're wedded to earworms that are burrowing into their heads endlessly in a kind of negotiation with these tiny screens.

After Cannes every year, I end up going to some foreign country I've never been to before and introducing myself to a new religion - I'll go to Bali and research Hinduism, or I'll go to Thailand and get another tattoo from Thai tattoo artist Ajarn Noo Kanpai.

I had gone to Europe . . . to reach for a place as a serious artist, but I never doubted that I must return. I was - and am - an American.

Religion is just an alternate way of reading reality - you read material reality, and then you add on an extra layer of religiosity that deepens that understanding of reality. Some countries have lost that capacity, or dismissed it or marginalized it.