Leon Uris Quotes

Before writing, I start with a series of questions, specific things I need to know before I can write the book... That list grows and changes as I do more and more research. But when I've answered the bulk of the questions, I begin to write.

When you write non-fiction, you sit down at your desk with a pile of notebooks, newspaper clippings, and books and you research and put a book together the way you would a jigsaw puzzle.

I teach classes 28 weeks of the year, but the rest of the time I do research and write books. While I'm writing a book, which I probably do two out of every three years, it's like having a second job. I squeeze in the hours when I can.

I'm writing a book. I've got the page numbers done.

I never thought that it would take me so long to do something. I thought everything was temporary and sometimes the best thing you have working in your favor is a bad sense of time. In order to sit down and write a book that takes six years you have to have a screwed up sense of time because that's too daunting. No one is going to pick up a pen and a piece of paper and say, "Okay, six years, here we go."

The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.

I may have a general broad-based idea of what I want to write about when I sit down to write a book, but I don't have any idea of what it's going to say. I would call my experience of creativity 'inspired by God' to produce certain pieces of information that might be useful to others.

In the end, you write the book that grabs you by the throat and demands to be written.

A book, while it is being written, has an intense life of its own which you share.

A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.

I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.

No two books come out the same way. Some I write by the seat of my pants; others are planned in minute detail.

Most of my books are a two-year project. I tend to follow my heart and my mind and research materials where they take me.

I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.

When a man wants to write a book full of unassailable facts, he always goes to the British Museum.

I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.

When people say "How do you write a book, how does it all happen?" I say, you line things up, and you line them up as actually as you possibly can, but sooner or later the book has got momentum and it's moving along under that momentum. It's like a sculpture, if you're working with the grain of the wood, the wood will start defining what shape it's going to become.

The one thing that does happen, every time, though, is that I never get to write a book until I've already been thinking about it for a period of months to years.

So perhaps the best thing to do is to stop writing Introductions and get on with the book.

One of the things I have come up against time and again in my career is the notion that because a book is easy to read it was somehow easy to write.

When I get to a point in my book writing when I don't know what I'm going to do next, I'll come back look at underlined passages and see if the images I wrote still have a certain amount of resonance for me.

When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will onto a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book — to open the page and let the stories crawl in by themselves.

By the time you write the last page you have done half the book. The other half tends to get done in about five weeks; I do several drafts, very, very furiously rewriting. I literally do more or less nothing else and I stick with it and go through it and I begin to hate it.

Well, first you have to love writing. A lot of authors love having written. But I enjoy the actual writing. Beside that, I think the main reason I can be so prolific is the huge amount of planning I do before I start to write. I do a very complete, chapter-by-chapter outline of every book I write. When I sit down to write, I already know everything that's going to happen in the book. This means I've done all the important thinking, and I can relax and enjoy the writing. I could never write so many books if I didn't outline them first.