Arthur Schopenhauer Quotes

What the people are within, the buildings express without.

Nothing in a portrait is a matter of indifference. Gesture, grimace, clothing, decor even - all must combine to realize a character.

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

It's fashionable for modern actors to talk about getting 'inside' a character. But you can't get to the inside without getting the outside right first.

With the daguerreotype, everyone will be able to have their portrait taken . . . and at the same time everything is being done to make us all look exactly the same.

Many people are laughing when they see me, but I'm playing Mrs.Baskets all pristine. I'm playing it not-Louie. I'm not being Louie. I'm just being the character that I think it should be. I had to make a decision as to whether I was going to change my voice or not, but we decided for me not to change my voice, and I think that was the best thing ever, because I think it would've made a big difference in the character. I don't think it would've been as good.

Movies are a powerful medium. People think you are your character. I've had plenty of people who think I'm Drago. They don't know about the chemical engineering part of my personality. They don't know about the geek part of my personality.

For women and men, but especially women, with on camera acting you have to look a certain way. You have to present yourself as the most attractive version of yourself that you can be, and then you're judged based on how attractive you are or if you are the right look for the character.

But regardless of our circumstances, they do not define us - not unless we give in and let them. Circumstances never determine who we are; they reveal who we are.

Make your faces so that they do not all have the same expression, as one sees with most painters, but give them different expression, according to age, complexion, and good or bad character.

If photography is allowed to supplement art in some of its functions, it will soon have supplanted or corrupted it altogether, thanks to the stupidity of the multitude which is its natural ally.

The expression on my face - who on earth would be interested in that? All that I have to say is to be found in my works. (On being photographed)

You definitely care about your character because you wear it and you're associated to it by all means and I love the change and spontaneity. At the same time, you know, acting is a profession and you realize that this character is not necessarily your property.

T I was doing Predators, this new movie for FOX simultaneously, and this character that I play in the movie is "Walter Stands," and I had a plethora of ink all up and down my skin.Once you have ink on your body, how it informs you as an actor, and you kind of get in that space and occupy that space of that character, when you're without them, when I'm just Walton Goggins in the world and I'm without my tattoos, I feel a little naked.

With a woman I try to photograph her beauty; with a man I try to show his character. Once I photographed a man with a big nose (Jimmy Durante), and emphasized his nose, and he was very pleased with the picture. That could not happen with a woman. The most intelligent woman will reject a portrait if it doesn't flatter her.

What a man is lies as certainly upon his countenance as in his heart, though none of his acquaintances may be able to read it. The very intercourse with him may have rendered it more difficult.

I'll never accept that I'm a sex symbol. That will mean that someone is a bit too fond of himself. If it happens, I think it's certainly going to be odd. People shouldn't see me as a sex symbol. I'm really just Henry. I'm just telling a story. I could be playing an incredibly unpleasant character who's not sexually attractive at all in my next movie. So I've no expectations at all.

Blood hardly defines one's character. We are made by our actions, not our blood. - Soren

It seemed to me that it was possible to translate light, forms, and character using nothing but color, without recourse to values.

I've played myself before this ["Brent Spiner"] - and I've played myself since, for that matter - and playing yourself one of the most difficult characters you can play, 'cause God knows most of us don't know who that is.

I had to learn the image is not the word, which is a jolt for a literary soul. But it has served me well in terms of understanding plot, in terms of watching actors develop characters.

I think actors always like to think they don't bring the character home, and then their family all laugh and tell you otherwise.

The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.

You're responsible for your own character to a degree, because when it comes to the final draft of the script, you might say, "Well, I think maybe I could add this here, add that there." But I find that I write just as well for the other characters as I do for myself. I think.

You cannot hide any secret. If the artist succor his flagging spirits by opium or wine, his work will characterize itself as the effect of opium or wine. If you make a picture or a statue, it sets the beholder in that state of mind you had when you made it. If you spend for show, on building, or gardening, or on pictures, or on equipages, it will so appear. We are all physiognomists and penetrators of character, and things themselves are detective.