Henry James Quotes

Every artist's problem today is: What will we do with the human?

The biggest challenge for any craft person or artist is to accept the constraints of their medium and make something beautiful despite them. That's kind of fun, actually.

I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.

If you're an artist, the problem is to make a picture work whether you are happy or not.

I put it [picture "A still life of a pear" by Edouard Manet] there [on the wall, next to the picture "Jupiter and Thetis" by Jean-Auguste-Dominique Ingres], for a pear like that would overthrow any god.

The greatest danger for artists is total freedom.

In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.

The painting is always conceived as the linear record of a rhythmic gesture: it is a graph of a dance executed by the hand. Not only the artist's eye and hand perform this dance, so does the eye of the beholder.

I want the unobtainable. Other artists paint a bridge, a house, a boat, and that's the end. They are finished. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.

I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a never-ending problem, it doesn't interest me too much.

The problem of creating something new, but which is consistent with everything which has been seen before, is one of extreme difficulty.

Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.

I think in a way the great irony or paradox about America is that it makes it so hard for the sensitive person, the artist, the impressionable person, the person whose raison d'etre is to incarnate the creative will, rather than to just make money, and yet that extreme difficulty that the culture poses for us has created some of the best artists in the last hundred years.

I wanted to be a painter and an artist. And it's interesting that in some of my later musical works, I refer so often and associate myself with works of art.

For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.

Nature is inside art as its content, not outside as its model.

The easy part of being an artist is figuring out the message that everyone else is ready to hear. The hard part is waiting for the proper lull to make the announcement.

I really tried to work out hard to emulate the look and feel of the character, and did my best to represent the great artists that created him. At the same time, as an actor you have to find what you relate to in the character and make it your own, and hopefully people respond to it.

I am of the opinion that there are artists and non-artists. I think that this is the way it always was and always will be. I do not believe that we are in the center of the world. It is possible that there are gods who do not relate to human. As an artist, I believe that it is possible to depict these forces.

As an artist, I have to be the ambassador of everything.

Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.

Nowadays, an artist is someone who makes art mean the things he does.

The best of artists hath no thought to show which the rough stone in its superfluous shell doth not include; to break the marble spell is all the hand that serves the brain can do.

Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.

The challenge for an artist is always to find your own way of doing something.