Rudolf Arnheim Quotes
Rather than be asked to abandon one's own heritage and to adapt to the mores of the new country, one was expected to possess a treasure of foreign skills and customs that would enrich the resources of American living.
Arnheim, Rudolf. To the Rescue of Art: Twenty-Six Essays. University of California Press, 1992, p. 12.
Bourne was one of the first writers with a national audience to question the classic but never real “melting pot” theory of immigration and suggest the “salad” model though he never used the term.
She was referring to the Muslim immigrants who were then coming into Europe in large numbers. Europe in general, and Italy in particular, have never had the American experience of assimilation of large numbers of immigrants, and many Muslims came to Europe just for the economic opportunities but did not like or respect the culture or the values. Some even preached hatred of the Christian West and fomented terrorism. This was different from America where Muslim immigrants arrived and despite the difficulties of new immigrants most thrived and were able to assimilate yet maintain their religion and cultural customs. At the same time many American Islamic immigrants represented the more modern Islamic which valued freedom and pluralism and unlike most Muslim nations of today, appreciated the advanced, modernistic, tolerant Islam of 1000 years ago when tolerance and freedom of thought within an Islamic framework made some Muslim countries the most advanced in the world.
Rudolf Arnheim was a German-born author, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art. His magnum opus was his book Art and Visual Perception: A Psychology of the Creative Eye (1954). Other major books by Arnheim have included Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982). Art and Visual Perception was revised, enlarged and published as a new version in 1974, and it has been translated into fourteen languages. He lived in Germany, Italy, England, and America where he taught at Sarah Lawrence College, Harvard University, and the University of Michigan. He has greatly influenced art history and psychology in America.
