Charlamagne tha God Quotes

When I say, I don't care what white people think, I mean that.

There's a lot of ways that white women undermine women of color, and black women in particular.

I've turned the annoying questions that white people ask into a career, so I understand that's where I live.

Black people don't know what white people are talking about when they talk about a Sister Souljah moment. I tell them it's the moment you meet a proud, beautiful black woman you can never forget.

White people are very good at acting like they're not racist. They deserve an Academy Award for that.

Multiculturalism is a white people joke.

Old white people have pretty much always been the bad guys, the keepers of the hegemonic and reactionary flame, the folks unwilling to share the category of American with others on equal terms.

We were received as celebrities….All we had to do was show ourselves as examples, and Blacks would switch to Pepsi…. The KKK and the other people would come and smear mud on our Pepsi Displays claiming that we were taking good jobs away from white people.

Go back to Simi Valley, you skunks! Go back to Woodland Hills! Go back to Boston! Go back to Plymouth Rock, Pilgrims! Get out! We are the future. You are old and tired. Go on. We have beaten you. Leave like beaten rats. You old white people, it is your duty to die.

The grievance in their mind is the animus, the anger. They hate white people because white people are successful and they're not.

Martin Luther King Jr., a fraud and degenerate in his life, has become the symbol and cynosure of White Dispossession and the deconstruction of Occidental civilization. We must overcome!

Whitey is uptight about offending blacks without really knowing what offends blacks.

One of the things I try to work with white people on is letting go of our criteria about how people of color give us feedback. We have to build our stamina to just be humble and bear witness to the pain we've caused.

Producers have a tendency to put you in a pigeonhole: 'What does this white, middle-aged preppy know about 1960s Kingston?'

Jazz is a racist musical form invented by whites to enslave blacks.

One thing I do not see happening is women of certain age being represented correctly. We have to evolve conceptually.

I don't understand why black people feel this undying need to want to be down with white people all the time.

I was about four years old the first time I ever saw what happened when you acted up to whites.

The more painful incidents of racism I chose to forget, to suffer in silence, or use humour to deflect rather than confront. I didn't want to be the angry black man.

I wrote 'The Hate U Give' as a short story while I was in college at a mostly white school in conservative Mississippi.

A fundamental but very challenging part of my work is moving white people from an individual understanding of racism - i.e. only some people are racist and those people are bad - to a structural understanding.

When kids would say 'Ching Chong Chinaman,' I thought they were talking to someone behind me. I used to think I was a white Jewish girl named Rebecca or Rachel.

I grew up in a largely black community during the '70s and '80s that scoffed at 'white' music. That music - folk, rock, some disco - was considered soulless, aberrant, just one more example of the Caucasian's desire to scream and yell and demand whatever their privilege and perpetual adolescence dictated they should demand.

White people think one thing and black people think another thing about the same event. And we automatically, before we really know what happened, kind of pick our sides.

Are black people conscious of how excruciatingly self-conscious white people have become in their every interaction with black people? Is this self-consciousness an improvement? Maybe not, because I'm thinking of people in categories rather than as people, which is a famously dangerous thing to do.