Peter Kropotkin Quotes

I can't abide small talk.

The words of genius have a wider meaning than the thought that prompted them.

I would hope that nothing that I write would ever seem earnest because I subscribe absolutely to Franz Nietzsche's claim when he says, "Ah, earnestness, the sure sign of a slow mind." Earnest people are always a bit on the thick side in my experience.

I am looking for the novelists whose writing is an extension of their intellect rather than an extension of their neurosis.

I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.

I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.

Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else.

Neither Christ nor Buddha nor Socrates wrote a book, for to do so is to exchange life for a logical process.

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.

One must speak about serious things seriously.

To be the kind of writer you want to be, you must first be the kind of thinker you want to be.

To be a writer is to sit down at one's desk in the chill portion of every day, and to write; not waiting for the little jet of the blue flame of genius to start from the breastbone - just plain going at it, in pain and delight. To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again, and once more, and over and over...

The intellectual is, quite simply, a human being who has a pencil in his or her hand when reading a book.

Men who think deeply appear to be comedians in their dealings with others because they always have to feign superficiality in order to be understood.

Any play that makes an audience think out of the box, that makes connections to life and names our pain and by doing so makes our pain subject to thinking and the process of understanding, is doing something inherently political. By promoting understanding, by putting experience in context, by making connections between the normal and the rational, theatre is an act of anti-terrorism. It stimulates courage and a survival spirit. In that sense of political, there are a lot of serious plays doing their work in the world.

Jokes aside, let us turn to serious matters.

I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.

Our lives are greatly enriched when we immerse ourselves in literature and spiritual writing, not because we are going to be tested but purely for the sake of enrichment.

So if you look at the writings of intellectuals, there are two kinds. One said, l"Look, if we fought harder we could have won.But the others, who were way at the left, people like Anthony Lewis of the New York Times, way out in left stream, his view in 1975 was the Vietnam war began with blundering efforts to do good. But by 1969, it was clear that it was a disaster, that was too costly to us.

Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared.

Maybe I’m old, but to me, ‘going out’ means going out to dinner. It’s about the conversation: someone recognizing your intellect, the charm of flirting, and really speaking to somebody.

I can't tell if you're serious or not,' said the driver. I won't know myself until I find out if life is serious or not,' said Trout. 'It's dangerous, I know, and it can hurt a lot. That doesn't necessarily mean it's serious, too.

Is there anything more terrible than a "call"? It affords an occasion for the exchange of the most threadbare commonplaces. Calls and the theatre are the two great centers for the propagation of platitudes.

Writing a long and substantial book is like having a friend and companion at your side, to whom you can always turn for comfort and amusement, and whose society becomes more attractive as a new and widening field of interest is lighted in the mind.