George Santayana Quotes

Language is remarkable, except under the extreme constraints of mathematics and logic, it never can talk only about what it's supposed to talk about but is always spreading around.

A first grader should understand that her or his culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society...Cultural relativity is defensible, attractive. It's a source of hope. It means we don't have to continue this way if we don't like it.

There is no right language or wrong language any more than there are right or wrong clothes.

Invisible Beasts is a strange and beautiful meditation on love and seeing, a hybrid of fantasy and field guide, novel and essay, treatise and fable. With one hand it offers a sad commentary on environmental degradation, while with the other it presents a bright, whimsical, and funny exploration of what it means to be human. It's wonderfully written, crazily imagined, and absolutely original.

Historicism and cultural relativism actually are a means to avoid testing our own prejudices and asking, for example, whether men are really equal or whether that opinion is merely a democratic prejudice.

In order to have a hope of creating better answers, we need to deeply understand the logic of the opposing answers. That means thinking about how we think about both models - not just do we like one versus the other. Rather we have to ask: How do I think each model produces the results that it does? Metacognition, thinking about thinking, builds up our capacity to do that and to play with opposing ideas - and new models - in real time.

Symbols mean something and symbols often can spark hope and action in people particularly young people.

In order to correctly define art, it is necessary, first of all, to cease to consider it as a means to pleasure and consider it as one of the conditions of human life. ...Reflecting on it in this way, we cannot fail to observe that art is one of the means of effective communication between people.

I've been thinking about it a great deal, and it seems to me that although any one sixpence is as good as any other sixpence, not twenty lambs would do instead of one sheep whose face you knew. Somehow, when once you've looked into anybody's eyes, right deep down into them, I mean, nobody will do for that one any more . Nobody, ever so beautiful or so good, will make up for that one going out of sight.

And that, I think, was the handle--that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting--on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark--the place where the wave finally broke and rolled back.

I use the words gods and goddesses principally, I think, to mean beautiful bodies - bodies that are absolute instruments. And I believe in discipline, I believe in a very definite technique.

Mathematics has no symbols for confused ideas.

It is not given to man to know the whole Truth. His duty lies in living up to the truth as he sees it, and in doing so, to resort to the purest means, i.e., to non-violence. God alone knows absolute truth. Therefore, I have often said, Truth is God. It follows that man, a finite being, cannot know absolute truth. Nobody in this world possesses absolute truth. This is God's attribute alone. Relative truth is all we know. Therefore, we can only follow the truth as we see it. Such pursuit of truth cannot lead anyone astray.

Humans have a saying that "Beauty is in the eye of the beholder", which basically means that if you think it's beautiful, then it is beautiful. The elfin version of this saying was composed by the great poet B.O Selecta, who said "Even the plainest of the plain shall deign to reign", which critics have always thought was a bit rhymey. The dwarf version of this maxim is "If it don't stink, marry it", which is slightly less romantic, but the general gist is the same.

The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.

If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.

This sign I give you: every people speaks its tongue of good and evil, which the neighbor does not understand. It has invented its own language of customs and rights.

Being human means throwing your whole life on the scales of destiny when need be, all the while rejoicing in every sunny day and every beautiful cloud.

For me, fantasy has always been a means of exploring reality: it explores the fact that your internal life, your dreams and the weird images and the things that come to you are things that are actually important tools for dealing with real issues.

In one of the accounts of Jesus's death we read that the curtain in the temple of God-the one that kept people out of the holiest place of God's presence-ripped.One New Testament writer said that this ripping was a picture of how, because of Jesus, we can have new, direct access to God.A beautiful idea.But the curtain ripping also means that God comes out, that God is no longer confined to the temple as God was previously.

Art is the aesthetic ordering of experience to express meanings in symbolic terms.

Not to Learn Irish is to miss the opportunity of understanding what life in this country has meant and could mean in a better future. It is to cut oneself off from ways of being at home. If we regard self-understanding, mutual understanding, imaginative enhancement, cultural diversity and a tolerant political atmosphereas a desirable attainments, we should remember that a knowledge of the Irish language is an essential element in their realisation.

But my body was like a harp and her words and gestures were like fingers running upon the wires.

Mathematics had never had more than a secondary interest for him ; and even logic he cared for chiefly as a means of clearing the ground of doctrines imagined to be proved, by showing that the evidence on which they were supposed to rest had no tendency to prove them. But he had been endeavouring to give a more active and positive help than this to the cause of what he deemed pure religion.

Painting doesn't have a function, not in the way that music or film does... I mean, you can dance to music. Music can be used for a soundtrack, so it has a function in that sense, beyond itself. But painting doesn't... But I do believe that painting has a purpose.