Rachel Caine Quotes

The position of power and having to make decisions that you don't necessarily want to make is always good conflict and good drama.

He who is reluctant to recognize me opposes me.

People like to see showdowns.

I like the yin-yang of a cop's life, where he's part fascist and part saint. That's where the good dramas are.

They have the marshals, I have the Army.

We gradually become aware that we live in an environment where there is constant tension between authority and freedom.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

In a fight, you don't need much context for drama. You watch a fight, and that's it.

If they're acting like a dog, sometimes you're forced to treat people like dogs.

I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.

Abe shook his head, and now the smile was gone altogether. "That's not the reason either. Don't lie to me little girl." I felt my hackles going up. "And don't interrogate me, old man.

The decisive means for politics is violence.

Get inside before I spank you in public." There it was again, another of his maddening threats. Did that mean he wouldn't spank her if she did as he said or that he simply planned to spank her in private? She was still mulling over the whole unpleasant concept when he started the truck.

The love of power and the power to attract love were not easy to reconcile.

I guess this means that our conflict is finally over. Perhaps we should celebrate." – Saint Dane Perhaps you should bite me." Bobby

Leave the girl alone, Clete, and let's get back on the road," the tall driver said, and his voice had that "I'm done with you" edge to it. "I don't know who this guy is, but I don't think he changes into a nutria.

I'm not the distraction in the room.' 'Oh? And what might be?' -Nora & Patch (PG 242)

She might not know what your routine is, but I do,” I said softly. “So put the lantern down. You’re not burning me yet, and we both know it.” “What’s she saying?” Sarah demanded, hobbling over. His white brows drew together, and I allowed a little smile to play on my lips. “Awfully bossy with you, isn’t she? Then again, it makes sense. She’s got the pants on, and you’re the one in the dress.

Lovely,wonderful Isabelle.Could you please go away?Now is a really bad time." Isabelle looked from Magnus to her brother,and back again. "Then,you dont want me to tell you that Camille's just escaped from the Sanctuary and my mother is demanding that you come back to the Institute right now to help them find her?" "No,"Magnus said."I dont want you to tell me that" "Well,to bad"Isabelle said"Because it's true .I mean,I guess you dont have to go,but-

Now to find Tristan, if he survived the excitement. I hope he did. I have some things to say to him, and none of them are 'Goddess bless'. -Numair Salmalin

You will not forestall my judgement!

And I have two eyes. I’ve seen that little melodrama play out between you and that other tracker. Fish? Flounder? What’s his name?

All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.

The poor lady must have dropped that", she said, and undid the gate stepping out to get it. Jared put his hand on it, "No". Mrs Jeffries stared down at him. "What do you mean...no?" Jared and Mrs.Jeffries stared back at each other,neither breaking eye contact in a perfect deadlock. Then Jared smiled at her. "I mean", he said with conviction, "it's mine." "It's what?" Jared stood up, pocketing the lipstick. "I know", he responded. "Everyone tells me i'm more of a summer". Mrs.Jeffries continued to stare. Jared continued to speak. "I'm going to go now. Me... and my lipstick.

The tension between the governed and the governing is what makes the world go 'round. It's not love, it's that tension, because that tension exists in love affairs. The whole idea of control is at the heart of human relationships. Control and resistance to control.