Dustin Diamond Quotes

'Hatful of Hollow' and 'The Smiths' were lent to me, and they made me want to create music that might make another person feel like they made me feel - to have an effect on someone.

We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.

What kind of art do I want to make? What do I stand for? What inspires me? And then to have people in return respond to that... I think that's the greatest thing because throughout dancing, I'm always looking for that.

I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.

The music world taught me a lot.It taught me how much happiness it could take from you. J. Cole said it in that interview: People forget their happiness and what makes them happy. Like, what you really wanted to do it for.

Music is the center of my life.

What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”

It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.

Human requirements are the inspiration for art.

A painter's tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art.

I need some kind of emotional stake in it to write my lyrics, assuming that place. It might just be an emotion I understand but am not currently experiencing necessarily.

I think you really have to remember what you loved about making music in the first place. Ultimately, people can be like, 'We've seen this dude in many movies,' but if they hear a song and they're feeling it, they can look past all the personal things and not hold it against you that you're also an actor.

Music will always be a part of my life. I love music and I don't care how many units I sell.

From the minute I heard music I knew why I was born.

I just want to make art that connects with people and moves them on an emotional level. Any time I can put out music and place a story behind it and have people watch it and go, 'Wow, I was affected by that,' to me, feels like I've done my job.

I have no interest in making a work that doesn't elicit a feeling.

It's probably not an accident that the films that I care about happen to be about issues that matter to me, stories that I want to tell.

If you're making music strictly to make money, you might as well find another job.

The greatest thing in the world as an actor or an artist to connect.

I don't care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.

I get inspired by the sounds that evoke an emotion from me. That's what I am drawn to; that's what turns me on.

The thing that makes me want to proceed and finish a song is when it really touches me and makes me feel something.

I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.

Things have to touch me as a human being. I do films that touch my heart.

When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.