Gillian Jacobs Quotes

My mother and stepfather were documentary filmmakers and, of course, had a very healthy Scandinavian mentality. When it came to cinema, my mother was very obsessed with the French New Wave. That was her generation.

Luis Bunuel made great movies.

Feudal societies don't create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don't fall into 'Everybody in their place and who's who,' and all that. But the theatre's full of that.

People know that I have a great love for cinema. Not just for commercial cinema, but for the 'cinema d'auteur.' But to me, two of the great 'auteurs' are actually actors and they both happen to be French. One is Alain Delon and the other is Jean-Paul Belmondo.

For me, the French new wave is Truffaut and Rohmer. Godard I sometimes have trouble with because he's very much of a director's director. I feel Truffaut is such a humanist, and I always go in that direction.

My role model, my idol, was Francois Truffaut.

I really liked the Jean-Luc Godard movie, 'Film Socialisme.'

As a young victim of bullying and then, later, a vindictive perpetrator of violence myself, I've known both sides of this experience, and I tried very hard in the writing here to be as absolutely honest as I possibly could, to not romanticize myself or my past actions or cowardly inactions in any way.

The body shuts down when it has too much to bear; goes its own way quietly inside, waiting for a better time, leaving you numb and half alive.

I had proof that I had five senses, that I knew how to get myself to function! And then I lost my childhood.

There must be a reason that these bad things happen to me. I must be dysfunctional. So why would my dad leave? Why would he kill himself? Why would I be violated? And when you're 6-years-old, you can't comprehend that. But as you get much older in life, you begin to think what's wrong with me?

I think that, very often there's a pain that's just too painful to touch. You'll break apart. And I think her mother's death and disappearance and abandonment was something she just never could deal with. Eleanor Roosevelt, when she's really very unwell in 1936, she takes to her bed. She has a mysterious flu.

I had come to discover that "safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust.

I am still associated with a heroic period in French cinema, and my name remains linked to this period.

The first time I kissed you, you had just cut off your hair with a plastic knife. You were in restraints and your lips were completely chapped and dry from the tranquilizers. The next day you tried to kill me with a torn-off piece of bedsheet. I've seen you at your worst. You hardly need to dress up for me.

There are moments that stop the heart, that catch the breath, that halt the beat of blood in your veins, and you are suspended in time, held between life and death, and you wait for something to bring you back again.

I believe that the FBI clearly was concerned, wanted to monitor and disrupt Malcolm X wherever possible.

Broken people say awful things and do incredibly absurd things.

I drank for about 25 years getting over the loss of my father, and I took the anger out on myself. I did a good job at beating myself up sometimes.

MID-TWENTIES BREAKDOWN: A period of mental collapse occurring in one's twenties, often caused by an inability to function outside of school or structured environments coupled with a realization of one's essential aloneness in the world. Often marks induction into the ritual of pharmaceutical usage.

I am only interested in the views of two people: one is called Bresson and one called Bergman.

There is this old thing that a lot of people say - that the worst experiences make the best films. I don't subscribe to it. But I've seen it happen.

Cinema plus Psychoanalysis equals the Science of Ghosts.

Mazer, i don't want to keep dreaming these things. I'm afraid to sleep. I keep thinking of things i don't want to remember. My whole life keeps playing out as if i were a recorder and someone else wanted to watch the most terrible parts of my life

In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.