Adrian Grenier Quotes

I loved being behind the scenes and finding out how they make movies.

I learned so much about the making of Star Wars and that became a real drive for me, right from the time I was 12 or 13.

I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.

I think the sheer hell of trying to get a film made; I don't know if it would ultimately be worth it. The sort of format that I have, these TV things, sit somewhere between documentaries and reality shows and entertainment shows and dramas.

Making 'Pacific Rim' was a lot like what you imagined making movies would be like when you were 12.

One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.

The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.

I never really understood how movies were made, because it was such a technical accomplishment.

I always feel that there's no violence in a movie - it's not real, it's a magic trick. Nobody is really dying. In fact, the people that die in my movies have gone on to become extremely successful!

Film sets are great fun. Film people are great people to hang around with. I don't want to run off and be distracted by other things.

I think one of the hardest things to do in film or TV is to make something feel real, which is weird because it's about being a person, and life is something that everyone making films and TV can relate to.

I'm not perfect-looking and I don't say the right things, I'm a little different, nothing really special, but I guess I come across as a little more real to people and that comes through on the screen. I know I look young, but with the right make-up I can look older. I definitely feel older.

Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.

There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.

I think every time a movie gets made, it's a miracle. I would love to get to a point where it became easier and it wasn't so much of a struggle to get it done or finished.

It was practically with people with strings. There was no CG involved, it was just painfully taking Collin [Farrell] and Jessica Biel and putting them upside-down, we built the set upside-down and just try to twist perspective to make it all seem like zero gravity. And it was one of the most difficult things I've ever shot.

I want to make movies that people see. I really think that movies are the most popular form of story telling ever and have such a huge impact on culture when they do.

Hollywood is a deeply odd place. There are so many factors that have to go perfectly, so many schedules and visions that have to snap together for a film even to be made, much less be good.

Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.

I don't watch a lot of films. I'm usually involved in making them.

When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.

If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it.

A film just doesn't involve actors, a director and a producer, there is also the cameraman, the sound engineer, the music composer, the lyric writer. So many people come together to make a film. When we all feel satisfied with the film that we have created it's a win for all of us.

I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.

No film is made without the people behind the lens. Of course, most people, even I, tend to look at films in the most simplistic way, and say, "Wow, so-and-so is in this film." We talk about who's in it, as opposed to who got it made. But there are financial and technical aspects which go along with it, that should be addressed and acknowledged, including those minorities who are doing excellent work as well.