Rush Limbaugh Quotes

Just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree.

Because what's the point of something virtual if it doesn't end up being real?

What we see changes who we are.

You start thinking the world is a certain way and forgetting that there's another world outside of the campus boundaries that has nothing to do with what is your world at the time.

I think it is important to make sure that I have my real life as well, because Hollywood can certainly seem like an alternate reality sometimes.

You must understand that seeing is believing, but also know that believing is seeing.

My father has a general rule. He says if I haven't done it in real life I shouldn't do it on-screen.

Are you really sure that a floor can't also be a ceiling?

For an object under the eye will appear very different from the same object placed above it; in an inclosed space, very different from the same in an open space.

The eye altering, alters all.

What I aspire to is to have the viewer look directly at the subject, as if they're looking through a window at the real thing.

Fame and stuff like that is all very cool, but at the end of the day, we're all human beings. Although what I do is incredibly surreal and fun and amazing and I'm really grateful for it, I don't believe my own press release, do you know what I mean?

Once you get the right image the details aren't that important.

We have eyes, and we're looking at stuff all the time, all day long. And I just think that whatever our eyes touch should be beautiful, tasteful, appealing, and important.

In art, as in science, reductionism does not trivialize our perception - of color, light, and perspective - but allows us to see each of these components in a new way.

In real life, the most important decision you ever make is, where does reality leave off and make-believe begin? If you make a mistake about that, you're dead. You know, you're out on the street corner. You think there's no bus coming. You step out, you're dead.

I wanted to communicate what I had seen, so that others could see it.

Cubism is like standing at a certain point on a mountain and looking around. If you go higher, things will look different; if you go lower, again they will look different. It is a point of view.

It's still a trip for me to see somebody that I've only seen on television or in a movie. When they are there in real life, it's very different. When we played Detroit, Kevin Costner played before us.

I like seeing how I can look in a photo.

In real life, that's how we're moving around. We look at things while we're walking and moving and turning around. We stare at objects in the world.

My own eyes are no more than scouts on a preliminary search, for the camera's eye may entirely change my idea.

Pictures bring you inside, whether you see yourself driving a new car or as a hapless prisoner who is being abused.

People always ask me, 'I don't know how you could watch that, how that affects you,' and I just tell them, 'I went through it in real life, so it's like pilots watching a 'Top Gun' movie or cyclists watching a bicycle movie,' something like that.

Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.