Ben Fountain Quotes

I'm so focused on trying to craft the story that I'm in my own little world with it and that process. The one reader I'm trying to please as I write is me, and I'm pretty difficult to please.

There’s only one difference between published and unpublished writers, and it is this -- the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.

I rewrote the ending of 'Farewell to Arms' 39 times before I was satisfied.

It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.

Writing a book is like torture that you don't know, but after it's done and there it is. It's a joy like unlike anything else, I think it's the closest that a man can come to knowing what is feels like to have a baby.

In a way I do hate the process of writing. It's like learning a role where you never think you're going to be able to conquer it when you start and it just takes enough focus and narrowing and getting enthusiastic and not losing it and so on. It's never good enough, but you aim for something and you hope it comes somewhat close. But it is a pleasure once you have written it.

I have rewritten — often several times — every word I have ever published. My pencils outlast their erasers.

When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years – whether it is being the writer or being the lover – turns out to be an extremely taxing job and hardly the pleasantest of human activities.

I have a tendency sometimes to get too logical with what I'm writing, just because I want it to be kind of perfect.

I'll go on making films until I make one that pleases me from the first to the last frame. Then I'll quit.

When I'm writing, I'm locking myself in a room. I'm the worst critic in the world. I write something and then I beat myself up. I'm like "Vin, you're retarded, that makes no sense."

I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.

Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.

I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do - the actual act of writing - turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.

I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

How long does it take to write a good book? All of the years that you've lived.

I would just like say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be.

The interesting part about the writing process is that you can never see all the way to the end, not if something is happening over the course of a year and a half, or two years.

When I finished [writing it], I was crying. I knew at long last, after ten years of trying, I had written something good.

Almost all good writing begins with terrible first efforts. You need to start somewhere.

If you write enough, you begin to learn to do things. But in a way, you do start from zero each time.

I enjoy writing but I much prefer the experience of having written.

I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years-or longer.

There's something about each of my books that I'm really proud of, and there's something about each of my books that I cringe over.