Cheyenne Jackson Quotes

The heart and soul of pop is newness, excitement, innovation.

I like something with a really great storyline, characters, and concept. I like doing things that are new and cutting edge.

I love stories and I don't like to repeat myself. And I look for new stuff, and as they say it gets harder.

I just do what I think is funny and what's exciting to me.

Have fun. Do something nobody else had done before, or has done since.

The coolest things in life are things that you have not done before. That's the key to life: new things always.

The minute you start assuming that the audience is very happy to see the same show again, you're dead.

You have to keep surprising your audience.

You don't need personal fabrication in the home to buy what you can buy because you can buy it. You need it for what makes you unique, just like personalization.

Well, you know, I feel like it's about a lot of things. The reason that I made it was because I thought it was really funny and unique and just a different genre.

You custom make your own car, ain't nobody else driving that.

You have to push the boundary, do something that people haven't seen before, because then it is exciting for them.

I constantly want to do something new and surprise the audience.

Thankfully, as much as Hollywood is interested in brands, I think people are still looking for originality and freshness.

We like to challenge ourselves, and having new material and presenting it to the world is fun and exciting and fresh.

Comedy can be a lot more fun if you try something unique.

For me, novelty matters; uniqueness matters.

When something original works, then everyone wants to copy it. But if you're trying to do something that no one's ever seen before it's frightening.

People are always talking about originality, but what do they mean? As soon as we are born, the world begins to work upon us, and this goes on to the end.

I prefer to shock rather than to bore through repetition.

I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to do in the first three seasons, and harder to do as you go. I'd rather err on the side of blowing up everything and being like, "Why did you do that? There was more story to tell there," and moving the family to Mexico like on Weeds, instead of people going, "Oh, we've seen this already. We're tired of this."

It's always fun to try something new. People think every avenue has been explored on TV, but this has never been done. That, in itself, really excites me.

Novelty is indeed necessary to preserve eagerness and alacrity; but art and nature have stores inexhaustible by human intellects, and every moment produces something new to him who has quickened his faculties by diligent observation.

I wanted to make something very unique, something very different.

What gets me excited is the original principle.