Kriti Kharbanda Quotes

I'm really a director's actor. I rely heavily on a director.

I am a director's actress in general - I depend a lot on them.

I have realised I am a director's actor.

An actor can be as talented as another, but if he doesn't stick to what the director's intentions are, it all falls down. I adore working with actors.

Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.

It's part of the job of the actor to torture the director.

As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.

I am a complete director's actor.

I'm very old-school. I like a director to direct me. I like to be the actor.

I'm a director's actor; I'm a storyteller's actor.

I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.

My experience has been that actors always want to be directed.

I am totally a director's actor.

I think each character is different for me, but I am a director's actor. So if I get the right vision and right guidance from my director, I think sky is the limit for me.

One rule which applies to every role is that you have to surrender yourself to the director with an empty slate.

I'm a director's actor, and I surrender myself to the vision and the process. I think nothing else matters then.

I feel my job as an actor is to explore all sides of humanity.

I'm the girl that waits for the director to say, 'I like that,' or 'Can you boost it up?,' or 'Can you pull it down?' I'm that kind of actor. I started in theater, so that's the feedback that I'm accustomed to. It's the feedback that I really thrive off of.

Being an actor helps me direct a little bit, when I do that, which I haven't been able to do that much, but I plan to in the future. There are a lot of reasons for that, but certainly because I feel like you know how to talk to actors, and you know what they need from you if you've been one yourself.

As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.

Arnaud Desplechin invented me as an actor. I never imagined I'd be acting in movies.

I've acted with all types, I've directed all types. What you want to understand, as a director, is what actors have to offer. They'll get at it however they get at it. If you can understand that, you can get your work done.

Good actors, especially when they know their character, will come in and either tell you in advance that they have an idea, or in the middle of the rehearsal or the scene they'll let it loose and you go, 'Ah that's great.'

The best thing an actor can be is flexible, because all directors are different and all actors are different.

My greatest strength as an actor is that I follow my director's brief completely. The film is always the director's visual baby.