Jeff Buckley Quotes

The deaf culture is portrayed very accurately on 'Switched at Birth' because the writers did the opposite of the norm. They did their homework before portraying anything on television.

Casting ethnic characters is a very hard thing to do, but it's important. It's also interesting.

Portraying Pocahontas' story well was important to me because she was a real person and these were real events in her life.

I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.

When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass. We need to have all kinds of characters represented.

I don't differentiate between black and Latino actors. We're in the same struggle to be represented in a way that's even close to honest. And I can tell you that the amount of Latino characters I can point at and say, 'That's what my life experience looks like' - I can't think of any off the top of my head besides Jimmy Smits in 'Mi Familia.'

I feel respect is in your hands as an actor when portraying a character, particularly when it's from the Indian subcontinent. I do make a conscious effort to do so and often talk to the directors especially about the heavy accent when it's not needed.

All films are a challenge and they are a harder challenge when dealing with characters of color.

White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.

My opinion is that the movie business should show an accurate picture, but I think the responsibility lies in the educational system. Most of the educational material I've seen on the Native American does not portray an actual picture.

I don't want to take too much responsibility, where I'm like, 'Oh, I'm representing Asia.'

When you are doing a film about real people, you don't have a lot of manoeuvrability when it comes to how much you can add by way of imagination. You have to replicate what they were like. What you can add to it is your version of it.

I never really had novel-writing instruction like people do in MFA programs.

There's not enough of those inclusive projects where I feel like I'm interpreting a human being and not just a statistic or a nationality.

I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.

It feels good to watch TV and know that you're being represented on somebody's network and for certain communities, it feels even better to know that you're being depicted truthfully.

It was a distortion, a mercenary decision to create this parallel history in order to drive the movie for an American audience, Both my grandparents were officers in World War Two, and I would be personally offended if somebody distorted their achieve.

I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.

When we talk about corruption, there's corruption on both sides of the border. That's what I think is interesting. I'm from Mexico, so when I see a Mexican portrayed in the American market on TV or films, you better do it right because you won't fool me. I'm sure no one really cares on this side of the border, if they get it right or not, but all the way from Mexico, to another 120 countries where the show goes, they will be able to tell the difference.

Stefan: "Indian with a dot, not a feather.

Space Jam was weird because everybody has their own perception of what Bugs Bunny should sound like. Everybody. Somebody would just stick their head in the door and say, "He sounds too Jewish." Or, "He's too tough, he's off-putting. You gotta seduce kids, not scare them out the door."

I'm extremely proud of our very, very diverse cast which represents the world that I walk around in every day.

Working with the Jewish community is essential to me and what I stand for. I do explicitly see Jewish people as a people - not either a religion or an ethnicity but a people. The Tories take Jewish London for granted. I will not.

It's always hard to talk about the culture that you are from, especially with Islam, it is a very sensitive subject and I don't want to be seen to be adding to the problems of Islam and the west.

When you are creating something artistically and are speaking to or representing a culture that you know truthfully, you are doing a good job.