Donald Trump Quotes

I always knew I could hold people's attention and make them laugh every 30 or 40 seconds, and I got approval and attention for that, so the behavior was reinforced. Later, that became an important skill on the street corner.

Why would you get up there and bore people? I never have figured that out. These people are supposedly in the entertainment industry, and they finally get up there to that podium and they become the most boring people in the world.

I grew up fascinated with comedy and with people who could capture someone's attention.

In Europe, even more so than in national politics, we have to follow the principle laid down by Martin Luther: Use language that the people will understand, but don't just tell them what they want to hear.

When I play for the people, every time I play for my audience they are hypnotized, seen. These guys know the potential of the music.

People paused to listen to Denise Chávez and she had them - with gum on her shoes, she had them. She said she stepped on gum when she came up to the stage and she couldn't move, so she had to stay in one spot otherwise people would see the Chiclet.

There's nothing more vulnerable than just standing in front of a thousand people, or ten thousand people, and doing your best to entertain them, touch them in some way.

It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.

I'm very shy. But as a director and especially a female director, absolutely: How I used to walk on the court is how I walk on set. And I have to - I mean, I'm controlling 150, 200 people, and everything is on me.

A strange and somewhat impassive physiognomy is often, perhaps, an advantage to an orator, or leader of any sort, because it helps to fix the eye and fascinate the mind.

There is only one excuse for a speaker's asking the attention of his audience: he must have either truth or entertainment for them.

I've always tried to keep reinventing myself and to keep appealing to young people and when I go to colleges now and do my spoken-word show it's astounding to me how I get older and the audience gets younger. To me, that's the best compliment. That's better than money, that's better than anything.

The fact of the matter is, if you're not putting out stuff that people are feeling, then your record label doesn't mean a goddamn thing.

I don't like not saying anything. I don't like having a wall between me and the audience. I want to break down that wall and communicate with the people in the room, 'cause we're there together and we're having a nice moment.

I told a joke and people laughed and it was the best feeling. I knew I wanted to do this as a career. I never knew I could get such a high from telling a joke. There's something so extraordinary about having people listening to you and hanging onto your words - it's a great feeling.

I couldn't even speak in front of a group of students when I was in high school. I could barely do that sort of thing. But once I started doing the "YES!" chant down to the ring and people would do it with me, it allowed me to feel more comfortable.

You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.

The job is the same - to attempt to make it sound like you've never said it before and as if it's just occurred to you. And that's the same whether you're on camera or whether you're on stage in a room full of people.

I think a lot of people get into stand-up to be the center of attention, which is perfectly legitimate. But I think I got in there to be heard.

To be a leader means to be able to move masses

The manner of your speaking is full as important as the matter, as more people have ears to be tickled than understandings to judge.

I’m not a scholar or a psychologist, so I don’t really think about why. But I do think about what it means to sing to and with people, to offer music to them, and to ask them to spend time with me.

I kind of consider myself... I mean, I try to have my comedy be accessible, and if people are paying $30 to see me in a theater and they want to have their picture taken with me, it's not the end of the world. It's one of those things, where I'm not the only comic who does it. A lot of comics do it. If I'm doing a 4,000-seat venue, it might be a little bit of a different task, but it's all good.

All preaching should be as creative as we can make it. We've been entrusted with such a treasure. To have anywhere from 50 to 5000 people who give us 30 minutes of their time to hear whatever we want to say - I think they deserve all the creativity that we can give.

Consider the public. Never fear it nor despise it. Coax it, charm it, interest it, stimulate it, shock it now and then if you must, make it laugh, make it cry, but above all never, never, never bore the living hell out of it.