Wes Craven Quotes

I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.

What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.

To imagine the unimaginable is the highest use of the imagination

I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery.

I don't see what's so good about being genuine. Clog dancing is genuine. Isn't being fake more of an achievement? At least it takes some inspiration. Like, sherbet dips, they're a special food. Think of all the additives and coloring and grinding that it takes to create a sherbet dip. But carrots? They're just out there, shrieking, "Hi, we're some carrots! Love us for it!" They never have to prove themselves.

A lot of singers think all they have to do is exercise their tonsils to get ahead. They refuse to look for new ideas and new outlets, so they fall by the wayside... I'm going to try to find out the new ideas before the others do.

I'm a very creative person, and the best part about creation is creating. So I always love to come up with new things, new ideas, new thoughts. I cherish things like that.

I think it's necessary to keep moving forward. I've always said that nostalgia is death, really for anyone creative.

I think the important thing about staying creative and staying sharp and original is not to look back too much.

Every problem has a creative solution.

The secret of the creative life is to feel at ease with your own embarrassment.

To the extent a person makes, invents or thinks something that is new to him, he may be said to have performed a creative act.

I think it's a big part of being a creative person.

If you are worried about what others might think and about how your position in the group might be jeopardized, then you will never really create anything.

I don't think in art there is ever a precedent; each moment is a new one and terrifying and threatening and bursting with hope.

My hope is to continue to make new music and go with the flow. I think I'll always be creative. I want to keep making good music, put myself into positions where I need to rise to the occasion of playing in front of an audience, and continually get better at what I'm doing.

Personally, I rather think that if you're not creative you've got a problem on your hands. If you are creative you've got a double problem.

If there's any plan or scheme on my part, it's subconscious. Whatever I do tends to be very different from the thing I did last. You're terrified of boring either yourself or anyone else. It's always attractive if it feels like something that you haven't done before. I generally tend to be better, I think, when I'm terrified out of my wits.

I don't think I was ever thinking critically about my aesthetic, I think it's enough when you're little just to understand that you can give yourself the permission to try and see things differently or create something original, even though you probably won't make anything original for a really long time.

You aren't always going to make stuff that everybody does. The sooner that you just realize that and accept that, the better. At best, hopefully, you will like it, every time, and that might not even happen. It's the nature of your work. It's just what comes with it. So, it makes it easier to deal with anybody criticizing you or anything thinking you're wonderful when you realize that you just need to focus in this one area, which is your creative fulfillment and enjoyment.

The greatest fear people have is that of being themselves. They want to be 50 Cent or someone else. They do what everyone else does even if it doesn’t fit where and who they are. But you get nowhere that way; your energy is weak and no one pays attention to you. You’re running away from the one thing that you own – what makes you different. I lost that fear. And once I felt the power that I had by showing the world I didn’t care about being like other people, I could never go back.

Don't let the fear of not pleasing someone stop you from being creative.

I think perhaps I've learned to be myself. I have a theory that all artists who would be important - painters and writers - must learn to be themselves. It takes a very long time.

Only you know what you're trying to accomplish. Any time you're thinking about whether someone's going to like this or not like this, you're f**ked. You've made the decision based in fear. Fear is the cancer to creativity.

You have to think outside the box. The world is changing every day, the music industry is so different but I think the more creative you are the better.