Moby Quotes

If people stop liking my clothes, I'll make a record.

Music will always be my first love, but it was time to diversify into something that had the ability to really create a financial legacy.

More people are asking me to come and sing for them, so obviously I am getting more work. But apart from singing, I have been parallely programming and producing music tracks and assisting music directors. That is my bread and butter, which is how I survived in Mumbai. Now I can't leave it.

As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.

I knew Glenn Frey. He called me up in 1977 and told me The Eagles were looking for a bass player, preferably someone who could write and had a high voice. That was me.

Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.

I am devoting some time to music. I'm finding a balance in my life right now so that when I'm not acting I'm really working on the music side of things... producing and writing and recording and also getting to do some live shows. It's a really exciting thing.

She's blonde with all the hits. Taylor Swift. She's hot. More than that, she's beyond talented. I have to write a song with her.

It was 22 years of work in a row, right up until 1987. Twenty-two years in a row-either on tour, writing an album, or recording an album. It wasn't until 1987 that I was able to take a breath.

Playing is much, much harder than composing in my opinion, becoming a player. If you want to be a player for all your life either you decide not to do it professionally and just enjoy it and just do it every weekend, but if you want to be a professional musician- hardest thing I could imagine and I really wasn't capable of doing it.

What I hope is to really focus on being a songwriter. I'd love to write songs for other people; that's something I'd really like to start doing.

To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.

I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.

Cheryl Cole, if you're reading this, I may not be as prety as you but at least I write my own songs.

It's amazing to know that 5 years ago I was writing songs in a basement in the ghetto and now I'm writing for Michael Jackson. I'd be a fool not to say it's a dream come true.

You can always pound out demos and send them to record companies, but most of the successful bands I've seen are the ones that can sustain themselves.

If I had kids, I don't think I would recommend they pursue a career in music.

I'm just happy that I'm able to take care of what I need to take care of, live, and do the thing that I love the most and that is to sing. People want to hear it, buy it, see it, hold it, record it, bootleg it. It's fine with me as long as it's good but when it's bad I'm in trouble!

When I got to LA and was with the James Gang, I got the opportunity to write a lot, to play in front of large audiences, make some money.

I started writing my own things when I was about 8. I used to try to bully my friends into imitating the Spice Girls on the playground. Then I realized, Oh god, my career's going nowhere, so I looked in the Yellow Pages and phoned up the first cheap studio that I found and started recording.

Going back to the paradigm we live in, the only way to do music is if I can sustain living off of it. If I can't live off of it, I'm not going to be able to make as much music.

Distinguish between the work and the job title. When I was leaving school in the early 1970s, many people wanted to be journalists, carrying out investigative reporting for print newspapers. Print newspapers may not exist in twenty years. But good thinking and good writing about issues that need to be reported and investigated will always be needed; but where this happens, what it is called, and who pays for it may be quite different than could have been envisioned by the great journalists of the past.

I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.

I am proud to be able to claim that, from the age of nineteen, I've managed to earna living entirely as a composer.

Also, it's good to have more than one profession, in case your own profession goes out of style. A Wall Street trader who's also a belly dancer will do a lot better than a trader who winds up driving a taxi.