Eve Myles Quotes

The rainbow mirrors human aims and action. Think, and more clearly wilt thou grasp it, seeing Life is but light in many-hued reflection.

I think what is probably hard for people to imagine is how wrapped up the 17 years' work on Harry Potter is with what was going on in my life at the time. I was mourning the loss of this world that I had written for so long and loved so much. I was also mourning the retreat it had been from - from ordinary life, which it has been. And it forced me to look back at 17 years of my life and remember things.

I think a lot of young women are probably fearful or embarrassed or cautious or hiding whatever their particular sexuality might be. From the most odd to the just slightly abberrant.

I think looking at your own life, on- and offscreen, you can motivate anything, or you can delude yourself into anything.

You think giving you a hug would give away too much?" he says. "You know," I say. "I really don't care." I stand on my tiptoes and press my lips to his. It is the best moment of my life.

I think of you as a friend. I used to think "friend" was just another word... Nothing more, nothing less. But when I met you, I realized what was important was the word's meaning.

I think there's a great connection between these two characters for sure. I mean, I don't know if she's coming over for dinner on the Barton ranch.

I love my privacy too, but at the end of the day, when it comes down to it with my woman, I call her a "special cloth alert." She's a rare breed and I love her and I don't ever want her to change because I think that's the balance of my relationship.

I can't help but think that at the end of your life, when you look back, there'll be a tone. And that tone will come from the essence of how you live your day to day what you did in that between time because that is really your life.

I was thinking about this girl you love so much," she said, "And this place I love so much. And how that happens. How you can just fall into it.

Sometimes our tunnel vision is limited to what we see outside our window. Until racial injustice becomes personal then I don't think it moves us in our gut.

In order to make a success of old age, one must begin it earlier, and not try to postpone it as long as possible. In the middle of life we must stop to think, to organize our existence with an eye to a still distant future, instead of allowing ourselves to be entirely sucked into the professional and social whirl. It is then that it is important to give place little by little to less external activities, less technical and more cultural, which will survive the moment of retirement.

I think the one-on-one gigs connecting with the fans - is the most important thing. That will help build your fan base. They'll talk about you, and word spreads. Those things are just as important as knowing how to play an E chord.

Blood City III: The Massacre. I'd read the summary of it online, and frankly, it sounded like the directors had just decided to film my life.

When I write something, it's usually 'cause I think it's funny or I have a way in, but when I direct something, I really need to be close to it.

When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"

I think when I say universal, it means making a project that everybody can enjoy but also a project where they're getting closer to you.

I'm a great believer in the fact that as you get to know someone, it matters not what religious background they have, or what their nationality is, or where they came from. And I think that's how Americans really do relate to each other on a personal level.

You're a car, but most of all, what you are, what you've become, is a mate. And that's what makes a car special. That's what makes a car great. You start to think of it as a person. You start to love it.

I've always been amused by [Bob] Dylan; I don't think he's been amused by me.

Odd that we think definitions are definitive.

I think to give something a chance, to really get to know somebody, you want to do it out of the public eye.

When I leave the theater I can always hear people talking about the character, and everyone always says, "You know, I know someone like her." And I always think, Everyone knows someone like the characters; nobody is like the character. Nobody wants to admit that they are a little bit like that.

I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.

Watch yourself as you go about your daily business and later reflect on what you saw, trying to identify the sources of distress in your life and thinking about how to avoid that distress.