Robert Englund Quotes

People watch more documentaries too now. These movies that would normally be shown in these little art houses, and unless you walked by the theater, or happened to read that tiny zine that contained the info for it, or went to a film festival, you might miss it.

People should really horde their Blu-rays like old comic books and baseball cards. Because they're really beautiful, and will be worth something if you like movies as I do.

There's a lot of letters, and a lot of people come say "hi" at book signings, but I'm amazed at how normal everybody is.

I've always wanted to come to Comic Con.

Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.

I watch all the classic films that film people say that you ought to have seen, and I try to watch things in the cinema when they come out, just to keep my eye on the competition. I'm bored when I'm not working.

Going to Comic-Con for me is always hard and weird, so it just makes me feel guilty. There's always a hundre thousand people out there who have copies of things that I've written and they really want signed and they're not going to get them signed.

Collectors are happy people.

I grew up watching a lot of old movies, so getting to ask about making movies in the '70s and people he was friends with, like Orson Welles, Lillian Hellman and Charlie Chaplin, and hearing a first-person account was pretty incredible.

I play in a jazz sextet. So I don't have time to do a lot of conventions. The good thing is, when I do them, it does puts me back in touch with the people who go to movies. I do these shows just to stay in touch with them.

I buy mainly Beatles bootlegs and stuff like that. I'm hoping I can go there today. My dad buys my drawings and he re-sells them for quite a bit more and then he puts the money in my savings. I just draw all the time and he buys and I get a lot money [laughs]. It's great. My dad's my best manager I ever had. If I get richer, I'd like to be able to buy more of the real collectible Beatles things. I just need a little more money to be a higher class collector [laughs].

Independent filmmaking has always been there and it's not to be forgotten.

The comic convention itself tends to come second to the giant announcements in Hall H and the movies and the TV. So I think it's always good to remind people that there is a wonderful comic convention going on.

It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.

At the beginning, people laughed at me because I was using snappies. Sometimes, a celebrity would look at my camera and go, Oh, I've got one of those. I'd feel like handing it to them and saying, Well, you take the pictures then. But I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.

The people I meet on the street satisfy my need to make contact with the fans. I love to meet them and I never say no to pictures. If an actor sees that as a curse, I think they need to go and be a roofer for a while. Or try out being a garbage man and seeing how they like it.

This movie [Don Jon] played at Sundance and South by Southwest and Berlin. And it just played - well...by the time it played at Toronto recently, it was already done. But getting to watch it with a thousand people is hugely informative.

People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting, because it's like you're going to the film's opening night at every festival.

Outside of London especially, I can't go anywhere without people buying me a drink. There are quite a lot of people who know me from The Vicar Of Dibley and are big Dibley fans, but they don't have things to shout at me from that show.

Yeah, I screamed in Daniel Radcliffe's face. We were both doing Letterman. I grabbed him by the shoulder. Of course, I'm in 6-inch heels. That makes me 6-foot-4. I'm towering over him, saying, 'I love Harry Potter!' His security people were nodding to each other - should we go?

When it's your own thing there's a lot more pressure to make it awesome, since these people bought tickets specifically for you. Whereas at the festivals, you're one of many acts on a bill so I find it's less pressure.

I like comic conventions. I genuinely like comic conventions. I like wandering around from table to table; I like wandering up and down Artist's Alley and saying "Hello" to people. I like hanging out on the DC booth. I can't do that anymore. I'd like to, but I can't. I physically can't. If I stop moving, somebody will come up to me with something to sign, and if I sign it, somehow it's like ants sensing sugar. There will be fifty or a hundred people around me and then fire marshals will come and then I'm trapped in a crowd. It's bizarre.

Going to UCLA, as far as I'm concerned, afforded me two things. One was the advantage of meeting friends and getting to know a group of guys I hung out with, was chummy with. All of us eventually had success with film. Making films, cutting our own little movies together, 3 in the morning going out and shooting stuff, finding gels that people had thrown away, making our own lights. It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me.

I come across famous people all the time. It's the respect factor I appreciate. They respect me, they respect what I've achieved and the manner I've done it. It's street credibility. They know where I'm coming from, they know my reputation.

To a collector of curios, the dust is metadata.