Geoffrey S. Fletcher Quotes

When I was growing up, all these superheroes were white. On some level, you put that out of your mind... but as you get older, you realize it's a very one-sided affair. So I'm very glad to see that these movies are becoming more diversified.

I believe that the American audience is not so dumb that they wouldn't be interested in a black story.

A lot of times I watch TV and I watch film and there's so many things I'd love to talk about that I feel don't get the opportunity to be shown. Sometimes things become very stereotypical and one-sided, and I feel like it's such a colorful world.

Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.

I don't think people have been able to deal with the fact that African American filmmakers can make movies about life and relationships.

In England, you feel like a member of the revolutionary guard the minute you even mention race. But I do think that the OscarsSoWhite phenomenon will have to reflect back on England. What people are essentially saying is that they want to see more diverse stories. It's not about putting three black people in the back of the shot.

I got sort of sick of seeing Asians being the blank, bland real estate agent or something. I didn't care. It didn't mean anything to me.

If you're going to make black movies only about black people, that's as bad as white movies only about white people.

There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.

The way Hollywood and TV is, black people don't have any choice but to see ourselves in white-dominated television shows and stories and movies.

Just because we finally have a Latino family on TV doesn't mean we're up there to lecture people about what it means to be Latino.

It's people who look like me, just seeing representation of everyone. I didn't get that when I was young. I only saw one black girl that was on a Disney show, that was known for being the sassy, coocoo, that type of girl.

It did occur to me that certainly African-Americans are not underserved in picture books, but those books are almost all about specifically black experiences.

We understand 'Roots,' and that experience was mind-boggling, and it changed the way society viewed race relations. It was incredibly important. With 'Roots,' I was just as proud as anybody else that people of color were getting their stories told.

'Hollywood maids' are so idiotic. They grin at everything. I told Norman Lear I didn't want to play a maid because of that 'hee-hee/grin-grin' attitude, and he said, 'Who said I wanted that?' He told me he wanted two strong women that are the black and white of the same coin. I said, 'Oh, well - in that case, I'll be right there!'

My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.

In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.

'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'

When I do a picture and it's 90% black, like 'Bird,' I use 90% black people.

African-Americans are always forced to learn the other culture, but the other culture is not forced to learn ours. I went to acting school at Juilliard, and we learned Shakespeare and Shaw, but we never did the work of a single African-American playwright, not August Wilson or Ntozake Shange or Imir Baraka.

When you go back to 'Friends,' and you look at that as New York, there's no black people. That's not real. You're in New York City, and there's no black people at all. That's a little funny.

The lack of diversity, specifically in genre films and the superheroes our kids grow up watching and emulating, they can't really identify with. When you see the same thing, over and over again, and it seems not to speak of you and your heritage and your culture, it leaves you out of this world a little bit.

If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'

In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.

There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.