Taio Cruz Quotes

I don't know if it'd be any time soon but I'd really like to work on a collaboration with somebody - I always have ideas for stuff like that.

You can always get something cool out of a collaboration - you can always have a moment - but meeting someone that you want to collaborate with continuously, that's a different thing.

It is so killer to collaborate with someone who gets what you're trying to say.

Anything I do with Team Sleep, I'd do with Deftones as well.

I'd like to produce something with Kanye. Like, my production plus his, I think he'd make something really cool.

I want to interact creatively with the directors I work with - it's a thrilling way to work.

I only collaborate with the people I rock with in life, period. I rock with people where I really respect their craft and respect what they're doing. That's what collaboration should start from.

I am always thinking that some interesting possibility, some accidental synergy, could occur in a collaboration, and people seem to like it.

Me and Kanye work awesome together. He's a creative man, I'm a creative man, we put our ideas together, it's like the perfect formula.

Use people whom you're excited by and who share your excitement... The ideal collaboration is one in which the actor and director are saying to each other, 'I can't believe how lucky we are to be making a movie together.'

I like working with writer-directors because you can solve problems right there.

To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.

Working with other artists and sharing your passions is great.

Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.

It has been a pleasure to play with all these artists. Pretenders was a real highlight, but also Damon, aka Badly Drawn Boy, Sinead... Ian Brown... all of these people I learn from and love to work with.

I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.

I actually like the collaboration of working with different artists.

Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.

I'm interested in good collaborations and in working with directors who bring something new and interesting out of you.

I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.

As always in a musical collaboration: One has to like each other. As simple as that.

I was rather disappointed, because the one thing I wanted to gain from that opportunity was to add something to his music, and have him add something to mine.

No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective.

The relationship between the models and the musical performers is very important.

I suppose there are many, but I cannot imagine ever having a more perfect collaboration than that which Penn-san and I shared. It was based upon mutual trust, respect, and a desire to have our own work pushed to new places. And it always resulted in delight.