Taylor Sheridan Quotes

I don't think anybody's all good or all bad.

No human being in history was all good or all bad, or all black or all white.

Life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both.

I've learned a lot about good and evil. They are not always what they appear to be.

Men are not altogether bad or altogether good.

Nobody is all good or bad.

Most people aren't good or bad. They're naive.

Life's not black-and-white. Sometimes the ends justifies the means.

I don't think most people are all heroic or all villainous, so I find ambiguity of motivations to be a natural human condition.

Human nature is not black and white but black and grey.

There are few things wholly evil, or wholly good. Almost every thing, especially of government policy, is an inseparable compound of the two.

There are the good and bad and every morrally ambiguous shade in between.

I'm no angel, but I'm no monster, either.

You don't have people who are monsters and only do bad. There's good and bad for everybody. It's all a spectrum.

So you see, Good and Evil have the same face; it all depends on when they cross the path of each individual human being.

Gradually it was disclosed to me that the line separating good and evil passes not through states, nor between classes, nor between political parties either - but right through every human heart...

No one is entirely good or evil; that is what the Warrior thinks when he has a new opponent.

Bad people doing bad things is not interesting. What I find interesting is good people doing bad things.

There is a heroism in crime as well as in virtue. Vice and infamy have their altars and their religion.

I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.

We all are who we are. We're not necessarily good, and we're not necessarily bad. So much television, in the writing, is so one-dimensional, in that aspect, where you have your good guys and you have your bad guys.

What 'True Blood' does really well is that it balances on the line between good and evil - you blur the distinction between the two.

In the world we make good as evil and evil as good.

Nobody is all good or all bad.

Well, you know, in any novel you would hope that the hero has someone to push back against, and villains - I find the most interesting villains those who do the right things for the wrong reasons, or the wrong things for the right reasons. Either one is interesting. I love the gray area between right and wrong.