Ari Aster Quotes

The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.

Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.

All my work is partly biographical. I mean, 'Crash' was absolutely that, absolutely. But you just wouldn't recognize me in most of those characters. But I was in every single one of those characters in 'Crash,' because those were all fears that I had felt. Things that I had thought in my deepest, darkest heart.

There are bits of me in all my characters.

I think there's always pieces of yourself that bleed into your character. That's inevitable.

If something is going on in my life, it winds up getting into my strip.

When I saw 'Talk to Her' for the first time, I was crying out loud because I couldn't imagine that I was doing that film.

There is a little bit of me infused in every character I play.

Inevitably I draw on my own relationships when I write, so if I'm writing about a fight between a husband and his wife, of course I'm going to think about a recent fight with my husband. Or if I'm writing about sisters, of course I'm going to think about my sister.

I learned that the acting I really like is when the actors did a lot of bringing themselves, and where they're at at the moment, to the character.

A lot of the novels that I've really enjoyed in my life, whether it's Tolstoy's 'Cossacks,' or 'Sons and Lovers' or 'Jude the Obscure' or 'David Copperfield' or 'Herzog,' have an autobiographical spine.

I think, no matter what, when you're writing songs, most people write about the extremes of their experiences.

There's me in every character I put on the pages.

In fact, my favorite Beatles song is "In My Life." And from that, you can gauge that my friends mean so much to me. I love John Lennon, so it's kind of like moody... There's a lot you can gauge from that. As insignificant as it seems, as an actor, it's an interesting way to approach a character.

I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".

I don't think I could write about something I've never experienced or felt; all my songs are about things I've been through.

I weave the company into what we laughingly call 'Jack's novel.' I write this novel for them about who they are and what's going on in their world. When I had 90 people in 'Porgy and Bess,' each had a story, history and family relationship.

With 'The Missing Picture,' we'd shot for a year and a half already when this idea of the clay figurine, the life that comes from the earth, came to me, and I changed everything.

I think that's the great thing about acting: you get to play different characters and enhance one part of yourself to really bring that out and create a new person.

When you're writing, I think a big part of writing comes out of an attempt to understand yourself. You're dealing with emotions and thoughts that are native to you. So that probably winds up in your characters.

I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.

I believe everything is autobiographical. If it's not strictly about you, it's your peers, your obsessions, things that make you angry, or things that you've been watching or obsessing about. Preoccupying you for reasons you don't necessarily know, but it's about you. It says a lot about you. It's like when someone tells you their dream and you sit there going, "Do you realize how much you're revealing about yourself right now?" It's kind of embarrassing.

Poetry connects us to what is deepest in ourselves. It gives us access to our own feelings, which are often shadowy, and engages us in the art of making meaning. It widens the space of our inner lives. It is a magical, mysterious, inexplicable (though not incomprehensible) event in language.

It's one of the things that weirdly I always used to like about my job: that expressing the emotions of a writer or someone creative and breathing empathy and life into a character people can then identify with, that they'd feel less alone.

It may be that poetry makes life's nebulous events tangible to me and restores their detail; or conversely, that poetry brings forth the intangible quality of incidents which are all too concrete and circumstantial. Or each on specific occasions, or both all the time.