Nicholas D'Agosto Quotes

If you go to pilot then you are probably going to go to series. That's my feeling about it.

I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.

I thought that our first New York Comic Con for 'Jessica Jones' was epic because we had a pretty major reaction from the crowd after showing our first episode!

I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.

You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.

We were all expecting to finish [Downton Abbey] after Series 1, actually. And then, it got extended to Series 3, and that's when two of our much loved and much missed friends left. And then, it was going to be done with Series 5, but Julian Fellowes said, "I'd like to do one more." So it's been a series of extensions, rather than wondering how much longer we can go on for.

I'm always worried about how fans of the books will react, but we have kept true to a lot of the books. Obviously there are changes, but with the books as a basis, hopefully the fans will like what we have done.

My experience in TV is that it takes time for shows to find their way.

The introduction of Harriet Tubman is going to be very exciting, she's a real life superhero so for us to be able to feature her this season is groundbreaking for a television series.

[Joss Whedon and David Greenwalt] pushed me out of my comfort zone [in Buffy The Vampire Slayer ].

I was just in a few episodes the first season [ of Empire]. They didn't kill me, but I haven't been back in season two or three. I don't know if they have plans for me or not. But I enjoyed working on it. And I think it's a really talented group of actors and, boy, very enterprising to try and shoot those every week, you know, with musical numbers and all that stuff.

[Townies] was a huge cast. It was a bit ungainly, I think with 12 regular characters they had to keep writing for.

Arrested Development never felt safe. Even the first season, we did thirteen episodes, and we thought we'd never do a back nine. So I never thought in a million years we'd get to make three seasons. I was happy we got that far. I thought it was really good, and I'm really proud of it. I don't think we made a bad episode.

In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.

The world of Ultimate Spider-Man is funny. I can't imagine a live-action film where he's Principal Coulson and dealing with some of the pranks from these guys.

Each week the machine is spitting out a number for a new person or a new world within New York that you get to know. And the idea from the beginning was that some of the characters would stick around and become part of the lives of the show, and the world of the show itself will continue to grow.

I make my living doing freelance directing for North American television shot in Toronto, series like Alfred Hitchcock Presents, Twilight Zone, and so forth.

Dale Earnhardt told me it doesn't matter if fans boo or cheer, as long as they're making noise.

I've heard when girls meet 'N Sync and the Backstreet Boys, they throw up on them and faint. I wouldn't want to get thrown up on.

I've never produced a series, so for me [X-men] was a wonderful challenge.

If you think about TV series, we make 16 one-hour movies a season. You don't get any opportunity like that in movies. I mean, I can't say I'll be able to do 16 movies in the next year, and so that's how I see it.

When I finished the series, I wasn't going to do television again. I never wanted to do television to begin with, and I was so exhausted by the process that I was wary of being in front of the camera again.

When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.

In television, the creator is really the voice...

When I sat down with the creators of the show [Longmire], back when we were first starting to do the pilot, Branch was not that interesting on the page. What really sold me on the show and the character was their vision for him. It took the whole first season to flesh him out.