PnB Rock Quotes

On a film, you start to get closer and closer with the people you're working with, and it becomes like this circus act or this travelling family.

'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'

It is always great to work with Papa and bhaiya.

Band chemistry is a tricky thing. If one guy isn't feeling right with the other guys, everything gets thrown off. When you get the personalities and the chemistry right, that's a grand slam.

I don't spend a lot of time thinking of what they'll do musically, I try to imagine being locked into a windowless room with this person for twelve hours at a time. If you can look at that and think it might be fun then maybe you've got the right musician.

When you're in a creative flow with somebody - and I had this back in architecture school - you're just so passionate about what you're doing, and if that other person is just as passionate, you'll be madly in love with them. It's just that thrill of creating.

Andy Rourke and I had been playing together from 14 or 15, and we had a very great musical chemistry. Andy's just a very respected and unusual musician.

Sometimes one of us will have a riff or a bass line from home but it really gels when we come together. We really have a strong special chemistry that we take advantage of when we get together.

Certainly when, you know, you put a lot of creative people together, there's ego and tension and all that stuff comes into play. But on the flip side, there's a lot of camaraderie and closeness.

The three of us acting was truly one of the best experiences I've ever had. I really look forward to the days when all three of us shoot together, because the sparks really fly.

The Strokes, you bond when you're 18, and you're friends. The feeling's different. When all of us get into a room, we feel like the same people from before. We weren't anybody; we were just hanging out. It's hard to understand if you're not in a band. You're one-fifth.

I have always needed other musicians to bounce off.

There's something about that blind trust between Timbaland and me - two people that have almost nothing in common except for a love of music - that is really rejuvenating.

I feel it's quite important to have a band but what's more vital is to be friends with the members of the band. If there's not a bond there, you won't be able to jam. Apart from that, it's also vital to have the same vibe.

The chemistry is everything in a band.

We all came to the conclusion that we have an undeniable chemistry musically, that we might not ever find again. The mix of friction and camaraderie channels good songs, performances and laughs.

At the end of the day, sometimes we don't always get along, because when do friends always get along? But we are a family first and even more than just being brothers in a band.

We have a certain bond that we don't have with anyone else on the planet. You just have that bond, that journey when you are in a band together.

There's a kind of intimacy that can happen between musicians, and if they're people you enjoy and respect as humans, that intimacy is a real privilege.

I like to create a good atmosphere in the dressing room.

Taylor Goldsmith and I hit it off big time, and so we started writing some songs together.

Amaal and I have some sort of magnetic connection. I am my brother's first assistant. So I have sung the scratch versions of all his songs. We make music at home, jam every day.

Knowing my brother is also fighting gives me more energy.

The thing about working on a Ryan Murphy TV show is that he has such an extraordinary collective of artists, so everyone is really like a family.

First time I met Kehlani was through Jahaan Sweet - a really dope producer; then we linked up in Toronto, and the vibe was just lit. She's a really warm human being.