Nancy Cartwright Quotes

Penmanship means a lot to me. I don't have cursive penmanship, though. I've created my own penmanship. It's very clear. Everyone can read it. I write things down all day long.

For some reason when I write in cursive, it's easier and flows better for me to read that when I print.

I do have very small handwriting.

I'm not famous for my back story investigations; I'm lucky that I work with good writers and it's usually in the script.

I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.

I found out I'd been signing my name wrong. You know, like with the alphabet they teach you in preschool. But I think I've got it right now.

I don't enjoy lettering very much, but that's the way I write and that belongs in the strip because the strip is a reflection of me.

Take painsto write a neat round, plain hand, and you will find it a great convenience through life to write a small and compact hand as well as a fair and legible one.

I can't remember what my first script was.

I only write in blue ink.

I enjoyed writing 'Tashan' very much.

Yashraj liked my writing style, and they had a concept in mind, so they hired me to write. That's how 'Luv Ka The End' was born. It was fantastic working with them. They are very professional. For the first time, I did not have to ask for my cheque. It was sent home, in time.

I write in Urdu and everything is written by my hand.

An actor can give his best shot but the script and dialogues have to have punch to make it more effective.

No matter what strategies you make, if you don't get the right script, everything is going to go down.

As far as I am getting interesting projects to work in, it doesn't matter whether it's Bollywood, South or Gujarati. The script is the hero for me.

I can fake decent penmanship, but generally, it's really just terrible. And, unfortunately for me, maybe fortunately for the reader, it's very often illegible. If I get an idea, and if I do remember to write it down, which is rare, I write in such a way that I can't read a letter.

Man, I had a good time working on 'Grown Ups 2.' First of all, when I read the script, it is hands-down the funniest script I've ever read. It's laugh-out-loud funny.

When you're writing on someone else's show, you don't have to think as hard about nailing the perfect tone because you're kind of just like, 'Here's 20 ideas I thought of, and they can just pick the closest.'

A lot of screenwriters write certain characters, certain parts, with actors in mind. I don't really tend to do that. I describe them as specifically as I can, but I don't really picture anyone in particular.

I was a fan of 'Power' before I was working on the show, so I'm excited by every script that comes into my hands.

You can tell a lot about a person by their handwriting.

We've talked about a sitcom and a comedy drama. It's getting the right project and working with the right people.

Getting a script and being like, 'Oh, yeah, I can do this in my sleep.' Who wants to do that? So, finding something that is a real challenge and is going to take all of you, I think, is more rewarding by the end of it.

Writing in another person's voice is a skill you have to develop when you're working on someone else's show. But if you can maintain your perspective, that's what will make you stand out.