Kristen Stewart Quotes

Horror is so often a 'thinkless' genre, sort of considered popcorn movies, but you really put a lot of, not just heart and soul, but a lot of physical energy into it.

I definitely think for up and coming filmmakers, people graduating from film school, people that want to do their own movies, horror movies are a great way to go.

We think craft is important, and the irony has always been that horror may be disregarded by critics, but often they are the best-made movies you're going to find in terms of craft. You can't scare people if they see the seams.

I think being snobby about the kind of storytelling people do, it just irks me. It irks me. And in fact, it's one of the things that drives me to make as many horror movies as I do.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

I really believe that you could do horror very inexpensively. I don't think it has anything to do with the effects, the effects are not the most important parts.

I'm not a horror guy, it's not my thing, but I respect it a lot. I know how hard it is to make, especially to make good.

I love horror movies. It's so fun being absolutely terrified. It's damn hard to shoot, though. I didn't realize how difficult it was to make a horror movie as an actor. Physically and mentally, phew.

Everybody's making horror films and, to me, not especially well.

I'm terrified of the supernatural things, which is why I'm very grateful that I don't see things like that. Because if I did see things of the paranormal persuasion, I don't think I'd be able to continue making scary movies.

I love scary movies and respect the filmmakers of scary movies, and it's just as hard to make a great scary movie as it is to make a great comedy or drama or anything else.

One of my favorite things about making horror movies is, the first time you screen them in front of an audience, it's very fun to hear people audibly react to the work you put into a movie. You don't wonder at the end of the movie whether it worked or not.

Nobody cares for the product I, and a host of other horror directors, make.

The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.

I will say that when it comes to the horror genre, for me, the scariest thing is when something is actually in the frame.

I get sent horror scripts every week and most of them are putrid. A lot of people think it's an easy medium but it's not. Not if you want to make ones that last.

Independent horror movies have really stepped up the game, and hopefully mainstream Hollywood will follow suit.

A lot of low-budget genre films you see are horror movies, because horror is the friendliest movie to lack of money.

My interpretation is different. God asks Cain, "Where is your brother Abel?" [Genesis 4:9] And Cain answers "Lo yadati, "I don't know" or "I didn't know." Then comes a period, followed by "Am I my brother's keeper?"

Perhaps the itinerant upbringing my brothers and I had has something to do with my continued interest in perspectives different from my own.

Horror films have been with us forever, so you can't say I originated that in any way, but it sort of brought back a classical way to make a horror film.

What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

I feel strongly that we, all of us, are brothers and sisters, and nothing interferes with that except our education, our background, where we grew up and how we should do it. If you eliminated all those negatives and gave us an open view of what life would be like, it would be different.

I never heard Coen brothers get defensive, ever. You get with these filmmakers doing the hardest work in the world, and they're not defensive. They're happy together, they crack jokes together, they have different opinions - and it doesn't bother them that they have different opinions. So no wonder their work is so good, because you're getting two for the price of one.

Well, it's funny because, "The Green Leaves of Summer" and "The Alamo" theme are the same thing. There's just - the Brothers Four was a different recording of it.