Hilary Hahn Quotes

It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.

I always try and learn as much as I can from different departments on a film set.

For me, the conductor is a person who interprets along with me, and we interpret things together.

I like to learn from everyone I perform with. I have learnt a lot from Paritosh Tripathi, my co-anchor on 'Super Dancer,' and also my good friend Ravi Dubey.

It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.

A lot of actors never talk to other actors about how they're doing things, or why. I think it's important to share the way you're thinking.

In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

It is so killer to collaborate with someone who gets what you're trying to say.

That's one of the benefits of working with a smaller network like IFC. You're awarded more trust, but trust that I really earned.

There are times when the writers ask us to improvise. Sometimes the animators are inspired by what you do, and sometimes you are inspired by what the animators do.

One thing for me that modeling definitely did was that you go to do a different job every day, and you are working with a completely new team of people. You have to learn how to talk to people and how to creatively achieve the same goals. I think it just hones your people skills.

Without constantly pushing my senior colleagues to formulate decisions, I would never be able to learn and know what they are made of.

I think 'Believer' and 'Leland' were such great things to have been a part of, and I learned a lot.

I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.

I'm lucky to be surrounded by incredibly talented people at Pixar, of course, and I learn a lot from them each and every day.

You wanna work with people who you have a rapport with. You finish each other's sentences a bit creatively when you've worked together for a while.

I surrounded myself with a lot of different creative people and ambitious people.

I love learning new things from the other actors.

Generally, when I am working, I tend to learn from my seniors and juniors.

I am constantly looking around asking for tips from my co-actors. I want to learn as much as I can and as fast as I can.

If acting with other people is in your plans, then you need to learn how to work with other people to build a comedic premise.

I try to educate myself as much as possible, as I do with the director and the designers and everyone I used to work with. It just helps, I think, with the frame of reference for who you're working with.

I made a conscious effort that I just wanted to work with people that were going to make me better and that was the main thing - writers, directors, in whatever medium.

Collaboration is about listening to someone else and adding your own feelings about that thought.