Henry Selick Quotes

Here in America we're doing the most wonderful crafts.

Crafts make us feel rooted, give us a sense of belonging and connect us with our history. Our ancestors used to create these crafts out of necessity, and now we do them for fun, to make money and to express ourselves.

People have been declaring stop-motion dead for a generation. But living in the digital age, people appreciate the art of craft, or working with your hands.

Some people have a concept of design: that it should be without the maker. I have been educated in this way, the traditional way. But I am not naive. I know that we make my things, and that people want them. I am signing them - and I am winking at them.

Fifty-seven percent of Americans are do-it-yourselfers, craftspeople, and artisans and makers.

That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in. Nobody cooked that burger.

I love the process of cutting everything out with a scalpel yourself: I don't want to have my stencils drawn up in Illustrator, then laser-cut. I like the fact that it's slightly wrong; I think it gives it a beauty. The individual and handmade will always be worth more than what a computer can do, at least until computers can learn how to make mistakes.

Crafting, or 'making things,' has always been a delightful pastime of mine because it requires putting common elements together in order to achieve a lovely something that nobody needs.

Although I was not a crafter before starting the business, I find it relaxing.

It's couture. Everything has to be done by hand. That is most important. That is the crucial element. Without it, that is not couture anymore.

As soon as you start doing that - changing things - it seems self-evident to me that you've entered the world of make-believe. If you pretend that it's true, and use your own name, you are misleading people. Fiction is looser and wilder and sometimes in the end more self-revealing, anyway.

You know there's always that kid in your class — and every class has one — the kid who draws all the time and is really good? That was not me. I was a lousy draftsman. But as soon as I figured out that I could make things come alive, like using the corners of my math book to make flipbooks, I was hooked.

You can write anything you want to,--a six-act blank verse, symbolic tragedy or a vulgar short, short story. Just so that you write it with honesty and gusto, and do not try to make somebody believe that you are smarter than you are. What's the use? You can never be smarter than you are.

One wants to see the artifice of the thing as well as the subject.

I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.

I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.

It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.

I really believe one of the jobs of a writer is to stretch as far as you can into other voices.

Ever since I was little, I’ve loved making hand-made cards and presents and arts & crafts for people. The book gives me a similar experience. I love being able to hold this object in my hands and say, “This is mine. I made this. It is a gift for you.” I love that feeling. Especially since this particular object contains ten years worth of my poems.

I was going to the flea markets to buy furniture. It was getting done the way it was getting done - on a small scale and with a lot of soul and heart and risk. We did fashion like fashion was done before - spontaneously, with joy and freedom, and that's what created our identity.

In the helter-skelter of this book, I didn't develop my views as theory. In fact, I even believe that efforts of that kind are tainted with ponderousness. Nietzsche wrote "with his blood," and criticizing, or, better, experiencing him means pouring out one's lifeblood. It was only with my life that I wrote the Nietzsche book that I had planned.

I believe that true identity is found . . . in creative activity springing from within. It is found, paradoxically, when one loses oneself. Woman can best refind herself in some kind of creative activity of her own.

People know that I always do my hair and makeup, but I also love doing crafts. I love getting a blank canvas and painting something.

Little things like making clothes, baking bread, cooking, even useless things like bird-watching, sketching flowers, playing guitar in the home - that sort of time is gone. And the time we have? We're so exhausted, we want to let ourselves get sucked in to the escape world of TV. I'm speaking from experience; I'm not above all this.

What I became a comedian for was to get my art out. To get some of these feelings and things I had on my chest out. I don't care if people believe them, listen to them, change their ways, or think, or any of that kind of crap. I'm interested in showing off. I'm the same kid from sixth grade who stood up and said "watch this."