Madeleine L'Engle Quotes

I'm a writer who likes to be influenced.

There is a myth that writers get to choose their stories. You don't get to choose your story any more than you get to choose your children. You can make the decision to write, but beyond that, at the end of the day, it's going to come out how it's going to come out.

Blank paper has always inspired me.

How do we live the writer's life? There's only one simple answer: 'we write.'

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

I tend to have an endless number of ideas for writing projects. I don't necessarily say that as a good thing. Maybe it's a good thing, but I have ideas for all kinds of projects: contemporary novels, graphic novels, anything that happens to go through my mind.

If you want to be a writer, just write. There's no magic to it.

There's a mystery to writing, and you don't really know where most of it comes from.

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

I really enjoy writing novels. It's like the ocean. You can just build a boat and take off.

I had novels to write, so I wrote them.

Every day I fantasise about situations and little themes I see in front of me that would make a good beginning of a story. But one has to be disciplined and just sit down and do it.

I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.

You write, hoping to write a good book; that's it.

If you're a writer, you know there are ways in which we don't know what we're doing at all. We're working out mysteries in a sort of poetic realm, and hoping that if a story is honest, if you're dragging the deep truth out of yourself, then something good and profound might come out of it.

I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.

A writer is always, always searching, even against her will, against all her better instincts, for the thread of a story. Everything is fodder. Everything is fuel. You can feel it coming on like the tingling of a sore throat. The brain never stops struggling to reshape every experience and feeling into a coherent narrative.

People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away.

Writing a novel isn't like building a brick wall. You don't figure out how to do it, and then it gets easier each time because you know what you're doing. With writing a novel, you have to figure it out each time. Each time you start over, you just have the language and the idea and the hope.

Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.

A book comes and says, 'Write me.

It is very enjoyable, writing a story. You get this idea. It takes hold of you. And then you spend day and night thinking about how to do it. And then you do it. And much later, you think, 'Oh, yes. That's an interesting question.'

When I write, I try to capture one of those pivotal moments. If I succeed, I have shifted the reader's view of the world, just a little. The character is not the only one to experience change. That is my job, shifting perceptions, one story at a time. The trouble is, I don't like writing. But I love having written.

Writers do well to carefully attend to those moments of inspiration, because chances are that they're writing from a very deep place. The subsequent search that ensues to continually attend to that voice that you hear is what is going to give the story drive.

I have to make myself write, sometimes. In the space between poems, you somehow forget how to do it, where to begin. It was good to be task - based for a while. I just came downstairs each day, picked the one I was going to do that day, and wrote.